By Ernest Kearney — Melissa Greenspan’s one-woman show, I confess, was a hard sell for me. What can I say?
By Ernest Kearney — Set in a bungalow at the Beverly Hills Hotel in 1961, Elizabeth Taylor (Kayla Boye) shares with an
By Ernest Kearney — In "Too Big for Her Britches," Writer/Performer Lisa Pezik is this side of amazing.
By Ernest Kearney — “Lights up!” a voice calls from the darkness before explaining, “That’s a theatre thing.” Aptly enough, we are left in the
By Ernest Kearney — Bianca Singer has an engaging persona, but that persona seems out of place within her one-woman show "Authentic Self: The
By Ernest Kearney — I am a self-confessed sucker for good clowning and Bonnie He offers that up in her one-woman creation,
In her one-woman show, “How to be Japanese,” Miyo Yamauchi shows herself to be an enjoyable and very entertaining storyteller.
By Ernest Kearney — Remove the focus of the hit series "Mad Men" away from the masculine realm of Madison Avenue, fix
By Ernest Kearney — In "The Pig Farm," Director John Leingang and Writer Richard Klein crowd their stage with a cluster of
By Ernest Kearney — I see the barest of stages: nondescript chair, nondescript glass…half full of nondescript water. Some token of a set would
By Ernest Kearney — Actress/Playwright Almanya Narula’s choice of subject matter shows a keen sense of what is both the dramatic and commercial. "Noor
By Ernest Kearney — "Metamorphoses," or perhaps more accurately from the Greek root “Transformations,” was Roman poet Ovid’s most ambitious effort and is, definitely,
By Ernest Kearney — Wakings! directed by Ron Sossi at the Odyssey Theatre Ensemble consists of four short pieces, four riddles
By Ernest Kearney — Well like a phoenix rising from a pandemic pyre the Hollywood Fringe Festival 2022 is here! Two hundred and twenty-six
By Ernest Kearney — Tea holds a special significance in Japanese culture. Part of its importance can be derived from
By Ernest Kearney — Playwright Lucas Hnath’s plays are an oddity. Generally, the core of any drama is the conflict generated by specific actions
By Ernest Kearney — BC Caldwell’s "One Way Ticket to Oregon" takes a theatrical setting that is familiar; one could almost say exasperatingly so
By Ernest Kearney — Dance has been equated to language less poetry. Complexions, the dance company founded by Dwight Rhoden and Desmond Richardson, in
By Ernest Kearney — Judy Carter packs a lot of diversity in her petite package; Jewish, Lesbian, comedienne, abuse survivor, hopeless romantic, dedicated magician,
By Ernest Kearney — There’s an old joke. My wife loves it. A judge in a divorce hearing informs Mickey, “I’m sorry, Mister Mouse, but
By Ernest Kearney — It goes without saying to those in the know, that The Fountain Theatre is one of the