Special Events

By Ernest Kearney — Early Thursday morning, February 27, 2020, noted character actor Gene Dynarski shuffled off his mortal coil in a Studio City

By Ernest Kearney — David Mynne’s one-man show of Charles Dickens’ "Great Expectations" knocked me off my feet last year.

By Ernest Kearney — This year the TVO crew and I saw 76 shows and from those, here are THE TVOLUTION 2019 Fringe Awards…

By Ernest Kearney  —  Hershey Felder began doing his solo shows based on the lives of great composers some twenty-five years ago at the

By Ernest Kearney — So here you have the second round of Hollywood Fringe Festival 2019 offerings that sound promising:

By Ernest Kearney — June is slowly but steadily approaching, and with June comes that Saturnalia of the Arts, The Hollywood Fringe

By Ernest Kearney  —  As I’ve been proclaiming for as long as I’ve been reviewing theatre in L.A., the hottest ticket in this town,

By Ernest Kearney  —  Many found 2018 a rather soft year for theater, and it possibly was.  Or perhaps it only seemed so since

By Ernest Kearney —  The Aeriform Arts Studios is setup for those interested in learning the skills of trapeze, ribbon silks, lyra hoop and other forms

By Ernest Kearney — And here they are

By Ernest Kearney — " Coasterthon Catastrophe: An Amusement Park Musical" is a rough, dopey, kinda silly, rather tuneful, utterly frantic, sorta

By Ernest Kearney  —  It is regrettable that more audiences didn’t have the opportunity of seeing "Butoh Medea," an adaptation of Euripides’ harrowing Greek classic

By Ernest Kearney  —  Michael Shaw Fisher has apparently taken to heart George Burns’ sage advice on how to be a success in “showbiz.”

By Ernest Kearney —  The Burglars of Hamm are a delightfully merry and madcap lot. And if you needed proof of that, well there’s "Resa

By Ernest Kearney — It is a pity that "Shilo Kloko" was at the Fringe so briefly, because it offers a wonderful

By Ernest Kearney  — "Dracula's Taste Test" is no great shakes, but neither does it hold itself up as anything else. Essentially a variety show,

By Ernest Kearney - The Cherry Poppins Productions have embraced a formula which has served them well in Hollywood Fringe after Hollywood Fringe –

By Ernest Kearney  —  The Bitch is Back: An Elton John Cabaret is exactly that, no more no less.  Director James Carey, with Darci

By Ernest Kearney  —  James Royce is an okay mime. It’s ironic in a way that he’s performing his show in the Complex’s Ruby Theatre. 

by Darwyn Carson  —  With an eye and a heart dedicated to cohesive connection and support of local theatre, Better Lemons has become a