By Ernest Kearney — Many found 2018 a rather soft year for theater, and it possibly was. Or perhaps it only seemed so since
By Ernest Kearney — The Aeriform Arts Studios is setup for those interested in learning the skills of trapeze, ribbon silks, lyra hoop and other forms
By Ernest Kearney — And here they are
By Ernest Kearney — " Coasterthon Catastrophe: An Amusement Park Musical" is a rough, dopey, kinda silly, rather tuneful, utterly frantic, sorta
By Ernest Kearney — It is regrettable that more audiences didn’t have the opportunity of seeing "Butoh Medea," an adaptation of Euripides’ harrowing Greek classic
By Ernest Kearney — Michael Shaw Fisher has apparently taken to heart George Burns’ sage advice on how to be a success in “showbiz.”
By Ernest Kearney — The Burglars of Hamm are a delightfully merry and madcap lot. And if you needed proof of that, well there’s "Resa
By Ernest Kearney — It is a pity that "Shilo Kloko" was at the Fringe so briefly, because it offers a wonderful
By Ernest Kearney — "Dracula's Taste Test" is no great shakes, but neither does it hold itself up as anything else. Essentially a variety show,
By Ernest Kearney - The Cherry Poppins Productions have embraced a formula which has served them well in Hollywood Fringe after Hollywood Fringe –
By Ernest Kearney — The Bitch is Back: An Elton John Cabaret is exactly that, no more no less. Director James Carey, with Darci
By Ernest Kearney — James Royce is an okay mime. It’s ironic in a way that he’s performing his show in the Complex’s Ruby Theatre.
by Darwyn Carson — With an eye and a heart dedicated to cohesive connection and support of local theatre, Better Lemons has become a
[May 30, 2018] Stars of Broadway, music, movies and television sparkle as the Los Angeles Women’s Theatre Festival (LAWTF) comes to Culver City for
By Ernest Kearney — This is Festival Fringe Time in Hollywood 2018 -Part II. This being Hollywood Fringe, one should expect a
By Ernest Kearney — It’s that time once again L.A.! — June! The six month of the year, one of four boasting 30 days,
by Ernest Kearney — The origins of Taiko drumming in Japan is lost in that vast attic called history, but the conservative scholars will
The Lula Washington Dance Theatre (LWDT) the Los Angeles-based repertoire dance ensemble will perform in a joyous evening of dance, Friday, June 8
by Ernest Kearney — The world premiere of "Jackie Unveiled" by award-winning playwright Tom Dugan has been extended at the Wallis Annenberg Center for
by Ernest Kearney — That Sussan Deyhim’s The House is Black Media Project had such a limited engagement at the Wallis Annenberg Center for
Hamid Rahmanian is a film maker and graphic artist who in 2013 undertook to illustrate the Shahnameh. He has now transformed part of that
