By Ernest Kearney — Early Thursday morning, February 27, 2020, noted character actor Gene Dynarski shuffled off his mortal coil in a Studio City
By Ernest Kearney — David Mynne’s one-man show of Charles Dickens’ "Great Expectations" knocked me off my feet last year.
By Ernest Kearney — This year the TVO crew and I saw 76 shows and from those, here are THE TVOLUTION 2019 Fringe Awards…
By Ernest Kearney — Hershey Felder began doing his solo shows based on the lives of great composers some twenty-five years ago at the
By Ernest Kearney — So here you have the second round of Hollywood Fringe Festival 2019 offerings that sound promising:
By Ernest Kearney — June is slowly but steadily approaching, and with June comes that Saturnalia of the Arts, The Hollywood Fringe
By Ernest Kearney — As I’ve been proclaiming for as long as I’ve been reviewing theatre in L.A., the hottest ticket in this town,
By Ernest Kearney — Many found 2018 a rather soft year for theater, and it possibly was. Or perhaps it only seemed so since
By Ernest Kearney — The Aeriform Arts Studios is setup for those interested in learning the skills of trapeze, ribbon silks, lyra hoop and other forms
By Ernest Kearney — And here they are
By Ernest Kearney — " Coasterthon Catastrophe: An Amusement Park Musical" is a rough, dopey, kinda silly, rather tuneful, utterly frantic, sorta
By Ernest Kearney — It is regrettable that more audiences didn’t have the opportunity of seeing "Butoh Medea," an adaptation of Euripides’ harrowing Greek classic
By Ernest Kearney — Michael Shaw Fisher has apparently taken to heart George Burns’ sage advice on how to be a success in “showbiz.”
By Ernest Kearney — The Burglars of Hamm are a delightfully merry and madcap lot. And if you needed proof of that, well there’s "Resa
By Ernest Kearney — It is a pity that "Shilo Kloko" was at the Fringe so briefly, because it offers a wonderful
By Ernest Kearney — "Dracula's Taste Test" is no great shakes, but neither does it hold itself up as anything else. Essentially a variety show,
By Ernest Kearney - The Cherry Poppins Productions have embraced a formula which has served them well in Hollywood Fringe after Hollywood Fringe –
By Ernest Kearney — The Bitch is Back: An Elton John Cabaret is exactly that, no more no less. Director James Carey, with Darci
By Ernest Kearney — James Royce is an okay mime. It’s ironic in a way that he’s performing his show in the Complex’s Ruby Theatre.
by Darwyn Carson — With an eye and a heart dedicated to cohesive connection and support of local theatre, Better Lemons has become a
[May 30, 2018] Stars of Broadway, music, movies and television sparkle as the Los Angeles Women’s Theatre Festival (LAWTF) comes to Culver City for