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By Ernest Kearney  — I once taught a class entitled “Industry Reality 101.” The purpose of the class was to strip my students

By Ernest Kearney — Laura Grimaldi is a whirlwind of a performer with a winning mixture of humor and honesty. In "Left Turns," her

By Ernest Kearney  —  Now the funny thing is that the title, We Need This Musical to Stop Us From Killing Ourselves — the

By Ernest Kearney  —  "Fresh Meat" is set in a dystopian future where the world order seems to have fused into three distinct classes: cannibals,

By Ernest Kearney  —  In his latest Hollywood Fringe Festival offering, "New Kid on the Block," playwright John Patrick Daly's heart is in the right place,

By Ernest Kearney  —  "Baba, Jee (Father, Yes)" is a solidly written, smartly directed and tightly performed piece. The story is straight-forward and has,

By Ernest Kearney — Its title, "The Other Side of the Razor Ribbon," refers to the modern style of barbed wire one

The TVolution Hollywood Fringe Festival Awards Coming Soon!

By Ernest Kearney  —   There is nothing so evasive as engendering effective and credible dread in a live theatre environment. Films have it easy.

By Ernest Kearney — " Coasterthon Catastrophe: An Amusement Park Musical" is a rough, dopey, kinda silly, rather tuneful, utterly frantic, sorta

By Ernest Kearney  —  There is a great deal of love and passion that has gone into Shannon Penrod’s one woman show The Autism

By Ernest Kearney  —  “I was like Mozart in his day,”  announces Bartholomew (Writer/Performer Montana Cypress) from his sanctuary in an abandoned section of

By Ernest Kearney  —  Like little boys with their toy soldiers, so, too, are little girls with their dolls: They weave webs of fantasies. 

By Ernest Kearney  —  Writer/director Giovanni Zuniga has succeeded in doing what few playwrights seldom do: knock one out of the stadium, first time

By Ernest Kearney — Well I can’t say that I was able to discern the “three short plays, written by contemporary German authors.” There

By Ernest Kearney  —  It is regrettable that more audiences didn’t have the opportunity of seeing "Butoh Medea," an adaptation of Euripides’ harrowing Greek classic

By Ernest Kearney  —  David Lucarelli’s "Doctor Zomba’s Ghost Show of Terror" is straight forward fun.  As directed by Kevin Wetmore it harkens back

By Ernest Kearney — In Eugene O’Neill’s, “Long Day’s Journey Into Night,” in production at the Wallis through July 1st, 2018, we

By Ernest Kearney —  A small town unemployed knuckle-dragging ne'er-do-well (Adam Ferguson) is approached by a producer of reality TV (Te’juana Johnson) with an

By Ernest Kearney   — If most non-artists know the name Chris Burden (1946-2015), it is for the art installation “Urban Light,” in front of

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