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By Ernest Kearney — There’s a great deal that is familiar about The Wolfe & the Bird, Rachel Parker’s one-woman show at the Matrix.

By Ernest Kearney —  Well, 2021 was strange in every way: The UN declared it the International Year of Fruits and Vegetables, a mob

The Hollywood Fringe Festival shows attended by The Tvolution, for 2021, are eligible for a “Medal” in one of FOUR categories. They are:

By Ernest Kearney — “Sugar and Sh*t,” at the Hollywood Fringe Festival '21, is full of moments that clash and tumble

By Ernest Kearney — With “(It's Been 76 Years and We're) Still Waiting For Lefty,” presented during Hollywood Fringe '21, Playwright Gregory

By Ernest Kearney — A time warped backyard BBQ where the hot dogs and burgers come with extra strangeness and squirt of inanity to

By Ernest Kearney — Saba takes us down the rabbit hole of the American dream in her HFF21 presentation of “Lies,

By Ernest Kearney  —  Paige Fockler sets up an interesting reality in her Hollywood Fringe one-woman show.  She has barged into her therapist’s office

By Ernest Kearney — "Vice" is a futuristic, dystopian drama, chock full of revolution, the dominance of virtual reality to keep populations docile, a

By Ernest Kearney — At the 2017 Hollywood Fringe Festival, "The Girl Who Jumped Off the Hollywood Sign" —written and performed by

By Ernest Kearney — “Tomb” borrows from Stephen King’s The Shining and George Lukas’ classic THX 1138. There’s nothing wrong with

By Ernest Kearney  —  "Black Woman in Deep Water" written and performed by Makena Hammond, under Jane Fleiss Brogger’s, direction is a pearl whose

By Ernest Kearney — Joyce Lee’s "The Dean’s Office" approaches a number of vital issues involving the propagation of systemic racism in the learning

By Ernest Kearney  —  Ruchi Kishore, creator and star of "Dirty Chai – a hip-hop bollywood musical" which recently played during the Hollywood Fringe

By Ernest Kearney — “The Easter Bunny” is a self-described live stream “urban horror story” by Canada’s Marbles Theatre Group. It

By Ernest Kearney - In this refashioning of the first chapter from F. Scott Fitzgerald’s 1925 novel, "The Great Gatsby," the audience is realigned

"Toshanisha – The New Normal" is a collaboration between South America’s Os Satyros and Africa’s Bold Theatre Kenya, and

By Ernest Kearney — There are three types of shows I am always in hopes of finding, which keeps me returning, year after year,

By Ernest Kearney — "Goldbaby" is a sketch group cut from the same cloth as Saturday Night Live, but, to their credit, the group