By Ernest Kearney — Its title, "The Other Side of the Razor Ribbon," refers to the modern style of barbed wire one
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By Ernest Kearney — There is nothing so evasive as engendering effective and credible dread in a live theatre environment. Films have it easy.
By Ernest Kearney — " Coasterthon Catastrophe: An Amusement Park Musical" is a rough, dopey, kinda silly, rather tuneful, utterly frantic, sorta
By Ernest Kearney — There is a great deal of love and passion that has gone into Shannon Penrod’s one woman show The Autism
By Ernest Kearney — “I was like Mozart in his day,” announces Bartholomew (Writer/Performer Montana Cypress) from his sanctuary in an abandoned section of
By Ernest Kearney — Like little boys with their toy soldiers, so, too, are little girls with their dolls: They weave webs of fantasies.
By Ernest Kearney — Writer/director Giovanni Zuniga has succeeded in doing what few playwrights seldom do: knock one out of the stadium, first time
By Ernest Kearney — Well I can’t say that I was able to discern the “three short plays, written by contemporary German authors.” There
By Ernest Kearney — It is regrettable that more audiences didn’t have the opportunity of seeing "Butoh Medea," an adaptation of Euripides’ harrowing Greek classic
By Ernest Kearney — David Lucarelli’s "Doctor Zomba’s Ghost Show of Terror" is straight forward fun. As directed by Kevin Wetmore it harkens back
By Ernest Kearney — In Eugene O’Neill’s, “Long Day’s Journey Into Night,” in production at the Wallis through July 1st, 2018, we
By Ernest Kearney — A small town unemployed knuckle-dragging ne'er-do-well (Adam Ferguson) is approached by a producer of reality TV (Te’juana Johnson) with an
By Ernest Kearney — If most non-artists know the name Chris Burden (1946-2015), it is for the art installation “Urban Light,” in front of
By Ernest Kearney — Puppeteer Jean Minuchin’s "Still Life of an Orange and Other Puppet Parables" starts off strong and closes strong but… somewhere
By Ernest Kearney — Still is a stylishly staged deconstruction of a murder mystery, involving three high school students, that shifts between the police
By Ernest Kearney — Michael Shaw Fisher has apparently taken to heart George Burns’ sage advice on how to be a success in “showbiz.”
By Ernest Kearney — The Burglars of Hamm are a delightfully merry and madcap lot. And if you needed proof of that, well there’s "Resa
By Ernest Kearney — "The Importance of Being Oscar" is demonstrative of a particular difficulty in writing plays, scripts or novels dealing with historical
TheTvolution.com Award Tallies for mid run of the Hollywood Fringe Festival ‘18 (HHF18): We rank all the shows we attend in one of the