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By Ernest Kearney — There are particular products, —merchandise, institutions and other…stuff— exports from the U.K., which the rest of the world sometimes finds

By Ernest Kearney — At its best, theatre spans vast separations of time and culture revealing how shared struggles makes a community of all

By Ernest Kearney  —  The Old Man and the Old Moon is an assemblage of all the elements that made theatre the earliest and

By Ernest Kearney — " Miss America’s Ugly Daughter" written and performed by Barra Grant, the daughter of Bess Myerson, the first

By Ernest Kearney  —  There is an adage in the creative pursuit of playwriting: “It’s easier to set them up than knock them down.”

By Ernest Kearney  —  As one devoted to the study of history, I knew of Mary Walker (1832–1919), but I confess, only dimly in

By Ernest Kearney — In "Jocasta A Motherf**king Tragedy," Brian Weir and the Ghost Road Theatre Company have taken Sophocles’ classic tale

By Ernest Kearney — “DoubleDouble,” playwright Guy Zimmerman reveals in the program notes, “came out of a case I wanted to make for Macbeth

By Ernest Kearney  —  "Desert Rats" by Nate Rufus Edelman is hardly the first play ever written about a kidnapping.  It stands in the

By Ernest Kearney  —  Many found 2018 a rather soft year for theater, and it possibly was.  Or perhaps it only seemed so since

 By Ernest Kearney  —  Before we move into the review of Playwright Andrew Osborne’s "Special" directed by Kerr Seth Lordygan at Theatre of Note,

By Ernest Kearney — This was my first “mashup” of theatre and film with soundtrack framed within a concert rendering. "Love Actually Live" at

By Ernest Kearney  —  "Fool for Love" by Sam Shepard, which just closed the Lounge Theatre in Hollywood, is not a tidy play.

By Ernest Kearney —  The story of Jim Jones­ has material enough for any ten dramatists. In the production "White Nights, Black Paradise," which

By Ernest Kearney — Writer/Performer Kathryn Taylor Smith has accomplished something remarkable with her one woman show "A Mile In My Shoes"

By Ernest Kearney — At the very least, congratulations must be bestowed on Writer/Director Amit Itelman’s "Bride of Blood" as hands down the wackiest

By Ernest Kearney  —  We are told by author Alan L. Brooks, he is "a doctor, not a playwright – and he has a

by Ernest Kearney  —  Matei Visniec is a Romanian playwright who sought and was granted political asylum in France in 1987.  Following the collapse

By Ernest Kearney — The Silence of the Lambs, the 1991 thriller directed by Jonathan Demme—based on the Thomas Harris 1988 novel of the

 By Ernest Kearney  —  "Gloria," the Pulitzer Prize-finalist, by Branden Jacobs-Jenkins is best described as an E-Ticket ride to the infernal regions of hell.

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