By Ernest Kearney — Step by step, inch by inch – The Hollywood Fringe Festival 2019 draws nearer. Must say, I think this
By Ernest Kearney — So here you have the second round of Hollywood Fringe Festival 2019 offerings that sound promising:
By Ernest Kearney — We live in a world of tangerine despots, murderous religionists, a generation who places more credibility in lowlifes
By Ernest Kearney — Watching Renée Taylor’s one-woman show, My Life on a Diet, is akin to sitting on a veranda with
By Ernest Kearney — June is slowly but steadily approaching, and with June comes that Saturnalia of the Arts, The Hollywood Fringe
By Ernest Kearney — Howard Zinn, the socialist academic, is most familiar as the author of the 1980 revisionist A People’s History
By Ernest Kearney — "Too Much Sun" by Playwright Nicky Silver, presently a guest production at the Odyssey Theatre, is a clever
By Ernest Kearney — Playwright Lauren Gunderson is the current “flavor of the month” of the American theatre scene, with her works the most
By Ernest Kearney — As I’ve been proclaiming for as long as I’ve been reviewing theatre in L.A., the hottest ticket in this town,
Playwright Laura Maria Censabella's "Paradise," having closed a successful run at the Odyssey Theatre has now moved to the Matrix Theatre on Melrose Boulevard
By Ernest Kearney — There are particular products, —merchandise, institutions and other…stuff— exports from the U.K., which the rest of the world sometimes finds
By Ernest Kearney — At its best, theatre spans vast separations of time and culture revealing how shared struggles makes a community of all
By Ernest Kearney — The Old Man and the Old Moon is an assemblage of all the elements that made theatre the earliest and
By Ernest Kearney — " Miss America’s Ugly Daughter" written and performed by Barra Grant, the daughter of Bess Myerson, the first
By Ernest Kearney — There is an adage in the creative pursuit of playwriting: “It’s easier to set them up than knock them down.”
By Ernest Kearney — As one devoted to the study of history, I knew of Mary Walker (1832–1919), but I confess, only dimly in
By Ernest Kearney — In "Jocasta A Motherf**king Tragedy," Brian Weir and the Ghost Road Theatre Company have taken Sophocles’ classic tale
By Ernest Kearney — “DoubleDouble,” playwright Guy Zimmerman reveals in the program notes, “came out of a case I wanted to make for Macbeth
By Ernest Kearney — "Desert Rats" by Nate Rufus Edelman is hardly the first play ever written about a kidnapping. It stands in the
By Ernest Kearney — Many found 2018 a rather soft year for theater, and it possibly was. Or perhaps it only seemed so since
By Ernest Kearney — Before we move into the review of Playwright Andrew Osborne’s "Special" directed by Kerr Seth Lordygan at Theatre of Note,
