By Ernest Kearney — City Garage’s production of "Insulted. Belarus," a chronicle of that country’s political woes by native son Andrei Kureichik,
By Ernest Kearney — For a decade, each fall, the father John (Arye Gross) and his daughter Caitlyn (Jacqueline Misaye) spend time
By Ernest Kearney — "A Midsummer Night’s Dream" ( at A Noise Within thru Nov. 12) is one of the most underrated,
By Ernest Kearney — "Ghost Land," at City Garage Theatre, opens with the kindly face of a gigantic god staring down upon us, a
By Ernest Kearney — "Blood at the Root" by Dominique Morisseau (onstage at the Atwater Village Theatre thru Oct. 28) is a
By Ernest Kearney — There is no drama in this drama rather there is contemplation, the drama of which is divergence, and
By Ernest Kearney — “When a splinter is intolerable crucifixion is endurable.” The joy of Harold Pinter’s plays is in
By Ernest Kearney — With a great many artists whose work you are familiar with, you can be assured of having an
By Ernest Kearney - The TVO Awards presents 'The Best Of' for HFF23.
By Ernest Kearney This year, during the HOLLYWOOD FRINGE FESTIVAL, The TVolution & crew saw 81 shows and honestly, I wish we
By Ernest Kearney — In Judaism shame is at the forefront of it all. As related in Genesis, after their eating of
By Ernest Kearney — Ideas are swarming in Josiah Blount’s flamboyant one-man theomachy ''Flayed, '' and we’re talking a swarm of the
By Ernest Kearney — Madeleine Lemay has created a silly short songfest about the doomed romance between the Titanic and the iceberg
By Ernest Kearney In “Unwrapped: Life After Giftedness,” Kira Wallace has done some excellent writing, filling her solo-show script with clever and exceedingly
By Ernest Kearney — A young girl who loves camp is at the core of the story in "Keeper," and her tale
By Ernest Kearney — Nick Pupo’s HFF23 production of his show "Addicted," did everything an audience wants a show to do.
By Ernest Kearney — “Rhythm Delivered” features DrumatiX, a gaggle of tap-dancing percussionist clowning mimes unleashed on the Fringe by Choreographer Noa
By Ernest Kearney — I sat through one presentation of the musical “So Proudly We Hailed,” then immediately sat through a second presentation with
By Ernest Kearney — In “Sherlock Holmes: The Last Act,” Nigel Miles-Thomas excels as the legendary detective from a script by David Stuart Davies,
By Ernest Kearney — Part of the reason that show, "Shagadelic" works so well is that Writer/Performer Michael Blaha could easily be a tenured
By Ernest Kearney — In his show "Mark Pleases You," Vigeant provides enough wackiness to overload the largest three rings any circus