By Ernest Kearney — "My (Unauthorized) Hallmark Movie Musical," currently onstage at The Broadwater in Hollywood, has all the signposts of a
By Ernest Kearney — There is an old saw that annoys the hell out of me whenever I hear it: “History repeats
By Ernest Kearney — "The Children," running at The Fountain Theatre, opens with trickling blood. Just a nose bleed. A still,
By Ernest Kearney — “Why?” Whether one is leaving an exhibit of Banksy’s stenciled, naked, nine-year-old Phan Thi Kim Phúc fleeing her napalmed
By Ernest Kearney — The story of Chiara Offreduccio, AKA Clare, is one of the most beloved “ripping yarns” of the Catholic Church.
By Ernest Kearney — Carla Delaney is a talent to luxuriate in, with a lovely voice, sharp comedic skills, and a persona that can
By Ernest Kearney - Since its Broadway opening in 1982 it’s doubtful a year has passed without there being at least two dozen (likely
By Ernest Kearney - "In Our Man in Santiago," Playwright Mark Wilding forgoes those subtle, silken threads from which history spins its webs, which
By Ernest Kearney — There’s a great deal that is familiar about The Wolfe & the Bird, Rachel Parker’s one-woman show at the Matrix.
By Ernest Kearney — Well, 2021 was strange in every way: The UN declared it the International Year of Fruits and Vegetables, a mob
The Hollywood Fringe Festival shows attended by The Tvolution, for 2021, are eligible for a “Medal” in one of FOUR categories. They are:
By Ernest Kearney — “Sugar and Sh*t,” at the Hollywood Fringe Festival '21, is full of moments that clash and tumble
By Ernest Kearney — With “(It's Been 76 Years and We're) Still Waiting For Lefty,” presented during Hollywood Fringe '21, Playwright Gregory
By Ernest Kearney — A time warped backyard BBQ where the hot dogs and burgers come with extra strangeness and squirt of inanity to
By Ernest Kearney — Saba takes us down the rabbit hole of the American dream in her HFF21 presentation of “Lies,
By Ernest Kearney — Paige Fockler sets up an interesting reality in her Hollywood Fringe one-woman show. She has barged into her therapist’s office
By Ernest Kearney — "Vice" is a futuristic, dystopian drama, chock full of revolution, the dominance of virtual reality to keep populations docile, a
By Ernest Kearney — At the 2017 Hollywood Fringe Festival, "The Girl Who Jumped Off the Hollywood Sign" —written and performed by
By Ernest Kearney — “Tomb” borrows from Stephen King’s The Shining and George Lukas’ classic THX 1138. There’s nothing wrong with
By Ernest Kearney — "Black Woman in Deep Water" written and performed by Makena Hammond, under Jane Fleiss Brogger’s, direction is a pearl whose
By Ernest Kearney — Joyce Lee’s "The Dean’s Office" approaches a number of vital issues involving the propagation of systemic racism in the learning