By Ernest Kearney — Melissa Greenspan’s one-woman show, I confess, was a hard sell for me. What can I say?
By Ernest Kearney — It cannot be said that Joyful Raven’s “Breed or Bust” is a beautifully written piece chronicling one woman’s
By Ernest Kearney — Cat Alvarado is a young comedian with lovely plumes in her bonnet. Unfortunately, her one-woman show "Best
By Ernest Kearney — "Camp Ginger" is an intelligent well constructed tale of a young, sensitive, socially maladroit lad who is sent
By Ernest Kearney — What is startling about Charlotte Munson’s performance in her musical “Di Lady Di,” is the agility she displays
By Ernest Kearney — In our time, in our world, there is no more important battle than that for the truth. And the journalists
By Ernest Kearney — As a huge fan of the international art of clowning, right at the top of my “To See”
By Ernest Kearney — There are two parts to Niek Versteeg’s solid success at playing the titular role in “Tommy Cooper: I
By Ernest Kearney — Writer/Performer Alex McSherry takes his clue from Historian John Keegan’s classic work "The Face of Battle" in "The
By Ernest Kearney — The golden era of the sideshow maybe sadly gone, but you wouldn’t know that from watching Fred Blanco’s skillfully crafted
By Ernest Kearney — “Vincerò” is the closing term cried by the “Unknown Prince,” which concludes “Nessun Dorma” from the opera "Turandot."
By Ernest Kearney — At first Clive Kennedy seems out of place on the stage at the Complex, where he is performing in
By Ernest Kearney — Will Eno’s "Thom Pain (Based on Nothing)" began as a one-man show performed at the 2004 Edinburgh Fringe
By Ernest Kearney — “Cassandra,” at the Studio/stage for HFF’22, has a good deal going for it.
By Ernest Kearney — Playing onstage at the Broadwater for HFF'22, "To Bah or Not to Bah Humbug" is thirty minutes of inoffensive fun
By Ernest Kearney — Frankly, I have always thought that Christopher Durang’s 1979 play was a lousy piece of playwriting – melodramatic,
By Ernest Kearney — “No One Comes to See us Anymore,” on at the Hollywood Fringe, has a singular concept which is heavy with
By Ernest Kearney — In "Death To Realism," Creator/Performer, Marshall Prehm obviously has something he wishes to say, but sadly he says
By Ernest Kearney — "Shubop-Dubay-Had" is, as advertised, the prequel to Gordon’s HFF19 musical "No Matter Watt," and a worthy prequel it is.
By Ernest Kearney — Right from the start there are flashes of cleverness in “Tourrorists,” a comedy based on the January 6th
