By Ernest Kearney — Hollywood Fringe 2024 has had a richness of clowns and clowning: Polish clown Piotr Sikora’s Furiozo, Medicine Woman by Veronica Osorio, Mark Vigeant’s The Best Man Show. And add to that list Karen Hall’s Delusions and Grandeur.
Some wonder how it can be a clown show without grease-painted faces and floppy shoes. But at the core of clowning is the performer’s interaction with their audience and their employment of a prop or props, with the end achieving an expression of the absurdity of life.
One of the goals of the “holy fools” of clowning is to “place a smile on the face, a tear on the soul,” and Hall succeeds at this superbly. This is clowning with no buffoonery or pratfalls, only a touching lamentation on the fragility of beauty and artistry contrasted against her staggering rendering of Bach’s music which attests to the eternity of both.
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Played During the Hollywood Fringe Festival 2024
Learn More at inforthelonghall.com
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