By Ernest Kearney — In the crown of Los Angeles theatre, one of the brightest gems is the aNoiseWithin Company. Productions are stellar in their execution, gleaming with both intelligence and craft. The current production of Charles Dickens’s A Christmas Carol, (adapted by Geoff Elliott,
'Pascal & Julien' by Australian Playwright Daniel Keene is a strange, halfling of a fairy-tale.
By Ernest Kearney — Today most will know of Jenny Lind (October 6, 1820 – November 2, 1887), if at all, from the 2017 musical The Greatest Showman
By Ernest Kearney – Aaron Lyons has shown himself, in past Hollywood Fringe Fests, to be not merely a performer of solid talent but “a man of the theatre.’
By Ernest Kearney — From the '50s on, psychologists plunged into the rather questionable field of study involving John Gluck, John Bowlby and Mary Ainsworth’s work on maternal deprivation, the “Little Albert” experiments of John Watson and Rosalie Rayner on conditioned responses in infants, and
By Ernest Kearney - Well, Congrats to all. This year TVO saw 64 shows and fully-reviewed 39 of them.
By Ernest Kearney - Platinum shows are the standouts among the standouts, or those that
By Ernest Kearney — For me, too much “naughty” and not enough “puppet.” But the Fringe audience loved this show.
By Ernest Kearney — Melissa Greenspan’s one-woman show, I confess, was a hard sell for me. What can I say?
By Ernest Kearney – By Ernest Kearney — On a small island surrounded by the man-made, turtle-laden lake in the Hollywood Forever Cemetery, before the faux Ionic temple tomb of William Andrew Clark Jr., founder of the Los Angeles Philharmonic
