By Ernest Kearney — Oxymorons. Defined by assorted dictionaries as, “A combination of contradictory or incongruous words.” They pour forth from Shakespeare’s
By Ernest Kearney — In Judaism shame is at the forefront of it all. As related in Genesis, after their eating of
By Ernest Kearney — Ideas are swarming in Josiah Blount’s flamboyant one-man theomachy ''Flayed, '' and we’re talking a swarm of the
By Darwyn Carson — Wish your streaming came avec un peu de français? From the Desk of TV5MONDE: Your pic of
By Nicusor Ciumacencu — EASY. That’s how Ted Lasso always felt - the story, development, predictability, expectancy, etcetera. An easy show with not many
By Ernest Kearney — Madeleine Lemay has created a silly short songfest about the doomed romance between the Titanic and the iceberg
By Ernest Kearney In “Unwrapped: Life After Giftedness,” Kira Wallace has done some excellent writing, filling her solo-show script with clever and exceedingly
By Ernest Kearney — A young girl who loves camp is at the core of the story in "Keeper," and her tale
By Ernest Kearney — Nick Pupo’s HFF23 production of his show "Addicted," did everything an audience wants a show to do.
By Ernest Kearney — “Rhythm Delivered” features DrumatiX, a gaggle of tap-dancing percussionist clowning mimes unleashed on the Fringe by Choreographer Noa
By Ernest Kearney — I sat through one presentation of the musical “So Proudly We Hailed,” then immediately sat through a second presentation with
By Ernest Kearney — In “Sherlock Holmes: The Last Act,” Nigel Miles-Thomas excels as the legendary detective from a script by David Stuart Davies,
By Ernest Kearney — Part of the reason that show, "Shagadelic" works so well is that Writer/Performer Michael Blaha could easily be a tenured
By Ernest Kearney — In his show "Mark Pleases You," Vigeant provides enough wackiness to overload the largest three rings any circus
By Ernest Kearney — I am an aficionado when it comes to Flamenco. I am also a huge fan of both
By Ernest Kearney — There was some talent on the stage – Danielle Shvartsman, Hess Hagge, and Phil Arliss – and then there wasn’t.
By Ernest Kearney — This is the second installment of the autobiographical tale Cooper Bates first introduced to Hollywood Fringe audiences in 2018. That
By Ernest Kearney — Writer-Performer Casey Alcoser gives us a brief history of Lovecraft’s chilling monstrosities in this quirky Dadaesque sketch about
By Ernest Kearney — The first date that manages to spiral down from the awkwardness of the initial meeting into the flaming bowels of
