By Ernest Kearney — For his first Fringe show, Carter Breeden-Villacorta comes off looking like an “Old Pro.”
By Ernest Kearney — If you watch enough of the shows produced by that Fringe stalwart Michael Blaha you realize he knows one of
By Ernest Kearney — "Earhart: More Than A F**king Mystery" is your basic fun-time show. It doesn’t go into the many sundry accusations about
By Ernest Kearney — Ain’t That America offers a truly unique viewpoint on a segment of our country that has been legitimatized and emboldened
By Ernest Kearney — From the very start of the preshow it was evident that the cast of "Mackers!" was not only a talented
By Ernest Kearney — Set in the Florida Keys during a raging hurricane "Spaceman," by Writer/Director Melissa Vitello, plays like a Twilight Zone spec-script
By Ernest Kearney — "Dracula's Taste Test" is no great shakes, but neither does it hold itself up as anything else. Essentially a variety show,
by Ernest Kearney — "The Book That I'm Going to Write, by Judy Garland" is an idea that someone should have talked performer/creator Jason
By Ernest Kearney — Cooper Bates’ one-man show, Black When I Was a Boy is a truly heartfelt tale of that banishment from paradise
By Ernest Kearney — "The Big Picture" is as cluttered, chaotic and confused as your average, interstate, multi-vehicle pileup and even less fun. Holly Goodfellow
By Ernest Kearney — Melanie Holmes’s "Negative Spaces" takes us into a strange and unsettling place. Lily (Holmes) and her longtime boyfriend Adam (Wes
By Ernest Kearney — Bill Posley’s superbly slick, and raucously funny show, "The Day I Became Black," reveals to his audience the trials
By Ernest Kearney — "Skin Jobs" by Jim Vejvoda is a short indictment of the undercurrent of racism still in Hollywood. Vejvoda has drawn
By Ernest Kearney — On December 21, 1988 a bomb exploded on Pan Am Flight 103 over the town of Lockerbie, Scotland. All 259
By Earnest Kearney — I Can Hear You Now, performed and written by Mitchell Bisschop and directed by Daniel De Lorenzo is a reworking
By Ernest Kearney — The School of Night and its Artistic Director, Christopher Johnson can always be counted on to present an audience with
By David Nairne — Damn! "The Joe and Joshua Show!" is clever and funny. Writer performers Joe Hernandez-Kolski and Joshua Silverstein string together
By Ernest Kearney — Actor, Playwright, Joshua Thomas was last at the Hollywood Fringe Festival in 2014 with "Angels and Whiskey." I
By Ernest Kearney — "Uncivil Correctness: Joan Rivers, Abbie Hoffman, Bin Laden," apparently, began as a class project and, unfortunately, it still feels like
By Ernest Kearney — "Shakes on the Rocks" has a poor concept of what it wants to be. Eleven actors prance out on the
By Ernest Kearney — The history of the United States Army installation of Fort Huachuca located in southeast Arizona is a fascinating tale rift