Well, I suspected I was going to like "Finally, Some Privacy" Aimee Levey’s one woman show, for Fringe 2017, when I heard the singing of Jack Lukeman being used as pre-show music.
Director, Christopher Johnson is too clever by half, which is clearly demonstrated in his current Fringe offering: a raucous, genderbending, madcap rendering of Christopher Marlowe’s, "The Faggot King or The Troublesome Reign and Lamentable Death of Edward the Second."
Welcome back my friends to the show that never ends
We're so glad you could attend
Come inside! Come inside!
There behind the glass stands a real blade of grass
be careful as you pass
Move along! Move along!
Come inside, the show's about to start
guaranteed to blow your head apart
From the first moments of "Mary’s Medicine," currently running at the Complex Theatres during Hollywood Fringe 2017, playwright/director Matthew Robinson takes a risk by stating we are about to be told a story so compelling ‘you would give up your parking spot.’ This is Los
The Puckwit Gang’s "Chimpskin" is a stylishly clever history of Lucy (1964-1987), the chimpanzee raised by Maurice and Jane Temerlin, as a human child. Lucy was even taught American Sign Language in order to communicate with her human “parents” and would come to use
"How to Love Your Dictator: Olga & Ludmila’s Guide to Fascism" is an American broadcast of the popular Russian talk show (with Kate Rappoport and Andra Moldav as the hostess-chets).
A man brings his guitar and a cooler out to the beach, and as he faces the setting sun tries to decide whether he can make peace with the ghost of his abusive mother or if his memories of her need to sink beneath the
In "Andy: The Red-Nosed Warhola," director/adapter Ezra Buzzington has crafted a swift, stylish and oh so entertaining rendering of the iconic persona of Andy Warhol. (Hollywood Fringe 2017)
"The Tomb" by Ed Sharrow (at the Complex Theatre during Fringe 2017) is an encapsulated tale of Anthony the Great, also called Anthony of Egypt, who was a 4th century Christian mystic.
Panos Vlahos, making his U.S. debut at Hollywood Fringe (2017) in “Mistero Buffo,” combed three pieces from the last half of author Dario Fo’s work in order to fashion his show and, in doing so, has chosen the most scandalous of the text.