By Ernest Kearney — American Conspiracy recounts the trials and tribulations individuals face when trying to convince others—and themselves —that everything would be so much better in the world if only people would simply do what they tell them to.
The bulk of humanity are desperate to mend the disasters of their lives and willing to do whatever that takes; except commit to the brutally honest evaluation of themselves that such an effort requires.
People are in terror of genuine self-reflection and so go to the absurd lengths of convincing themselves that a Band-Aid will do where a tourniquet is needed.
Bad solutions take root in the soil of desperation.
In Jonestown, the solution was mixed with blue Kool-Aid which, to lemmings, was the opposite side of a cliff’s ledge. And for a sizable portion of our fellow citizens, it was in putting his “Accidentcy” in the Oval Office.
We struggle to make ourselves believe in these ersatz solutions, which we conjure up when, in truth, it’s like Captain Smith of the Titanic deluding himself that all his problems could be solved if he just had an ice pick.
Perhaps the great “conspiracy” of this piece is how we will hack so furiously at the branches of our anxieties and woes while blinding ourselves to the roots.
So, in Benjamin Schwartz’s deftly crafted piece a young woman (Katelyn Schiller) is in a frenzy to refit a seedy greasy spoon, so she can flee from it without guilt; while a mother (Amy Smallman-Winston) is willing to crush her daughter’s dreams rather than admit she is terrified of abandonment.
Also, two men, Spencer Cantrell and David Garver, each threatened by the actions and errors of others, labor to persuade themselves that the remedy lies in making a much more monstrous mistake.
Finally, an agitated young man in a rundown diner knows what he needs to do to fix all that is wrong in his life and the world. His name is John Hinckley (Hank Doughan) whose answer is in his pocket and it’s loaded.
Schwartz creation that begins like a Zen Koan and concludes like a bear trap. The operation and engagement of such a paradoxical Rube Goldberg would be the undoing of a lesser director but Matt Ritchey enjoys the fortunate fusion of skill and clarity which this work calls for.
The standout cast—including Edward Hendershott who provides the match to the fuse of this theatrical powder keg—is equal to the challenging dramatics of intellectual resonance placed on the actors.
Other notable exemplars amongst the standouts are Garver as a coked-out, whirling dervish and Cantrell as a muted, milquetoast who turns out to be the Bouncing Betty on the stage.
A well-delivered, sucker-punch of a play deserving a GOLD MEDAL.
♦ ♦ ♦
American Conspiracy
is Playing During The Hollywood Fringe 2018
at
Lounge Theatre
6201 Santa Monica Boulevard
For Show Information, Tickets and Reservations Go To:
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