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Don’t Miss The Bitch is Back: An Elton John Cabaret

By Ernest Kearney  —  The Bitch is Back: An Elton John Cabaret is exactly that, no more no less.  Director James Carey, with Darci Monet serving as vocal director, guides five actress/singers Chloejane Busick, Tina Walsch, Erisa Evelyn Byrd, Marie Pettit and Kelly Goodman down a melodic memory

Director James Carey

lane consisting of the tunes of Elton John and Bernie Taupin.

The group cavorts and croons about the stage of the Three Clubs with grand abandon and high camp treating the audience to such standards as “Tiny Dancer” from the album Madman Across the Water, Honky Château’s “Rocket Man” and other classics such as “Sad Songs (Say So Much),” “Bennie and the Jets,” and of course “The Bitch is Back.”

The audience is encouraged to join in, and the crowd, with whom I attended, wasn’t shy about doing so.  Fringe Award-Gold Medal-The TVolution

And if you’re a fan of the Elton it’s probably bliss, and even if you’re not, it’s still pure fun.

 

Kooky oversized glitter glasses a plus.

 

A GOLD MEDAL.

(Featured Image by Erisacrat)

♦    ♦    ♦

The Bitch is Back: An Elton John Cabaret

Is Playing During The Hollywood Fringe Festival 2018

at

the Three Clubs

1123 Vine Street
Los Angeles, CA 90038
info@threeclubs.com

For Show Information, Tickets and Reservations Go To

http://hff18.org/5113


What’s the Hollywood Fringe? Click HERE to Learn More.


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Written by

An award-winning L.A. playwright and rabble-rouser of note who has hoisted glasses with Orson Welles, been arrested on three continents and once beat up Charlie Manson. His first play, "Among the Vipers" was a semi-finalist in the Julie Harris Playwriting Competition and was featured in the Carnegie-Mellon Showcase of New Plays. It was produced at the NPT Theater in Ashland, Oregon and Los Angeles’ celebrated Odyssey Ensemble Theatre. His following play, “The Little Boy Who Loved Monsters” was produced at The Hollywood Actors Theater, where he earned praise from the Los Angeles Times for his “…inordinately creative writing.” The play went on to numerous other productions including Berlin’s The Black Theatre under the direction of Rainer Fassbinder who wrote in his program notes of Kearney, “He is a skilled playwright, but more importantly he is a dangerous one.” Ernest Kearney has worked as literary manager or as dramaturge for among others The Hudson Theater Guild, Nova Diem and the Odyssey Ensemble Theatre, where he still serves on the play selection committee. He has been the recipient of two Dramalogue Awards and a finalist or semi-finalist, three times, in the Julie Harris Playwriting Competition. His work has been performed by Michael Dunn, Sandra Tsing Loh, Jack Colvin and Billy Bob Thornton, and to date, either as playwright or director, he has upwards of a hundred and thirty productions under his belt, including a few at the Bob Baker Marionette Theater as puppeteer. After a wild and misspent youth, which lasted well into middle age, Kearney has settled down and is focusing on his writing, as well as living happily ever after with his lovely wife Marlene. Ernest’s stage reviews and social essays can be found at TheTVolution.com and workingauthor.com. Follow him on Facebook.

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