"Toshanisha – The New Normal" is a collaboration between South America’s Os Satyros and Africa’s Bold Theatre Kenya, and
By Ernest Kearney — There are three types of shows I am always in hopes of finding, which keeps me returning, year after year, to the Hollywood Fringe Festival.
By Ernest Kearney — "Goldbaby" is a sketch group cut from the same cloth as Saturday Night Live, but, to their credit, the group is more consistently funny than SNL has been since since
By Ernest Kearney — “EGG,” a clever dance piece chronicling a woman’s life from birth, by Australian Performer Erin Fowler is one of the virtual shows imported to Hollywood Fringe '21 from Down Under.
By Ernest Kearney — In "Estrawbery Fields Forever" (HFF'21), Verenice Zuniga shares with her audiences a journey. Unfortunately it is a journey less like an odyssey of personal discovery and more like the morning rush hour commute on the 405.
By Ernest Kearney — The love story of Lady Shizuka Gozen (1165 – 1211) and the legendary samurai Minamoto no Yoshitsune (1159 – 1189) has been erroneously compared in the West to Romeo and Juliet.
By Ernest Kearney — In "Deconstructing Holly," the courage shown by Playwright/Performer Holly Sidell in recounting her long struggle against cancer, resulting from the hereditary ravages of the BRCA gene mutation, is admirable.
By Ernest Kearney - In the brief 20-year period in which Tom Lehrer recorded, he established himself as the greatest musical satirist of the 20th century inspiring the likes of Tim Minchin, Weird Al Yankovic and Randy Newman.
by Ernest Kearney — The main problem with actor Eric Billitzer’s "Nobody Needs Another Hamlet," (playing The Hollywood Fringe at the Broadwater) is that just about every actor does need a director.
By Ernest Kearney — Why…? Why…? C’mon, why…? Really, why…? Why…? Why…?
