By Ernest Kearney — City Garage’s production of "Insulted. Belarus," a chronicle of that country’s political woes by native son Andrei Kureichik, is commendable on a number of levels
By Ernest Kearney — For a decade, each fall, the father John (Arye Gross) and his daughter Caitlyn (Jacqueline Misaye) spend time in the backyard of the family’s Maryland home bonding in that most serenely pensive pursuit of bird watching; referred to by
By Ernest Kearney — "A Midsummer Night’s Dream" ( at A Noise Within thru Nov. 12) is one of the most underrated, and in some ways misunderstood, of all the Bard’s plays
By Ernest Kearney — "Ghost Land," at City Garage Theatre, opens with the kindly face of a gigantic god staring down upon us, a god that we soon see is as sickly and as wounded as we all are.
By Ernest Kearney — "Blood at the Root" by Dominique Morisseau (onstage at the Atwater Village Theatre thru Oct. 28) is a slick, stylish, very smartly devised piece of writing.
By Nicusor Ciumacencu — Before any analyzing, "Uncle Frank," written and directed by Alan Ball, is pleasant to watch, literally; its color palette is a joy to the eye.
By Nicusor Ciumacencu — I recently watched Season 3 of "Party Down," which ran just over a month from February-end to March-end of this year. This is a show I’ve been wanting to write about for a while.