Features

By Ernest Kearney — Frankly, I have always thought that Christopher Durang’s 1979 play was a lousy piece of playwriting – melodramatic,

By Ernest Kearney — “No One Comes to See us Anymore,” on at the Hollywood Fringe, has a singular concept which is heavy with

By Ernest Kearney — In "Death To Realism," Creator/Performer, Marshall Prehm obviously has something he wishes to say, but sadly he says

By Ernest Kearney — "Shubop-Dubay-Had" is, as advertised, the prequel to Gordon’s HFF19 musical "No Matter Watt," and a worthy prequel it is.

By Ernest Kearney — Right from the start there are flashes of cleverness in “Tourrorists,” a comedy based on the January 6th

By Ernest Kearney — A distinct benefit of seeing dancer Aylin Bayaz and guitarist Raúl Mannola performed at the Hudson is the

By Ernest Kearney — In her one-woman show based on Victoria Woodhull, Ashley Ford manages to succeed in capturing the many facets of this

By Ernest Kearney — According to my sources, a “Chonker” is either a “human parasite that lives to feast on a

By Ernest Kearney — Playwright Carolyn Gage announces that the "Maid of Orlèans," in her 1987 play, "The Second Coming of Joan of Arc,"

By Ernest Kearney — Owen Thomas’ hour-long playlet relates a story told countless times in the history of this nation; that of

By Ernest Kearney — “You wouldn’t read about it in a book.” Here you have the most striking line of New Zealand

By Ernest Kearney  —  A spin on the popular “The Show That Went Wrong” formula has an acting company arriving late at the Three

By Ernest Kearney — Set in a bungalow at the Beverly Hills Hotel in 1961, Elizabeth Taylor (Kayla Boye) shares with an

By Ernest Kearney — In "Too Big for Her Britches," Writer/Performer Lisa Pezik is this side of amazing.

By Ernest Kearney — “Lights up!” a voice calls from the darkness before explaining, “That’s a theatre thing.” Aptly enough, we are left in the

By Ernest Kearney — Bianca Singer has an engaging persona, but that persona seems out of place within her one-woman show "Authentic Self: The

By Ernest Kearney — I am a self-confessed sucker for good clowning and Bonnie He offers that up in her one-woman creation,

In her one-woman show, “How to be Japanese,” Miyo Yamauchi shows herself to be an enjoyable and very entertaining storyteller.

By Ernest Kearney — Remove the focus of the hit series "Mad Men" away from the masculine realm of Madison Avenue, fix

By Ernest Kearney — In "The Pig Farm," Director John Leingang and Writer Richard Klein crowd their stage with a cluster of