By Ernest Kearney — Lionsgate’s’ quartet of John Wick movies constitutes one of the most successful film franchises in cinema history having amassed over
By Ernest Kearney — Laura Grimaldi is a whirlwind of a performer with a winning mixture of humor and honesty. In "Left Turns," her
By Ernest Kearney — Now the funny thing is that the title, We Need This Musical to Stop Us From Killing Ourselves — the
By Ernest Kearney — "Fresh Meat" is set in a dystopian future where the world order seems to have fused into three distinct classes: cannibals,
By Ernest Kearney — In his latest Hollywood Fringe Festival offering, "New Kid on the Block," playwright John Patrick Daly's heart is in the right place,
By Ernest Kearney — "Baba, Jee (Father, Yes)" is a solidly written, smartly directed and tightly performed piece. The story is straight-forward and has,
By Ernest Kearney — Its title, "The Other Side of the Razor Ribbon," refers to the modern style of barbed wire one
The TVolution Hollywood Fringe Festival Awards Coming Soon!
By Ernest Kearney — There is nothing so evasive as engendering effective and credible dread in a live theatre environment. Films have it easy.
By Ernest Kearney — " Coasterthon Catastrophe: An Amusement Park Musical" is a rough, dopey, kinda silly, rather tuneful, utterly frantic, sorta
By Ernest Kearney — There is a great deal of love and passion that has gone into Shannon Penrod’s one woman show The Autism
By Ernest Kearney — “I was like Mozart in his day,” announces Bartholomew (Writer/Performer Montana Cypress) from his sanctuary in an abandoned section of
By Ernest Kearney — Like little boys with their toy soldiers, so, too, are little girls with their dolls: They weave webs of fantasies.
By Ernest Kearney — Writer/director Giovanni Zuniga has succeeded in doing what few playwrights seldom do: knock one out of the stadium, first time
By Ernest Kearney — Well I can’t say that I was able to discern the “three short plays, written by contemporary German authors.” There
By Ernest Kearney — It is regrettable that more audiences didn’t have the opportunity of seeing "Butoh Medea," an adaptation of Euripides’ harrowing Greek classic
By Ernest Kearney — David Lucarelli’s "Doctor Zomba’s Ghost Show of Terror" is straight forward fun. As directed by Kevin Wetmore it harkens back
By Ernest Kearney — In Eugene O’Neill’s, “Long Day’s Journey Into Night,” in production at the Wallis through July 1st, 2018, we
By Ernest Kearney — A small town unemployed knuckle-dragging ne'er-do-well (Adam Ferguson) is approached by a producer of reality TV (Te’juana Johnson) with an
By Ernest Kearney — If most non-artists know the name Chris Burden (1946-2015), it is for the art installation “Urban Light,” in front of
By Ernest Kearney — Puppeteer Jean Minuchin’s "Still Life of an Orange and Other Puppet Parables" starts off strong and closes strong but… somewhere