By Ernest Kearney — From the first mention of this Fringe Festival spin of the classic Tonight Show format with Alex Enriquez as its
The 2014 Pulitzer prize-winning drama, “Water by the Spoonful,” at the Mark Taper Forum through March 11, is Act II of the “Elliot” trilogy
by Ernest Kearney — That Sussan Deyhim’s The House is Black Media Project had such a limited engagement at the Wallis Annenberg Center for
by Ernest Kearney — The Fountain Theatre’s West Coast Premiere of “The Chosen,” adapted for the stage Aaron Posner and Chaim Potok—author of the
By Ernest Kearney — Premise-wise "Small Mouth Sounds," by Playwright Bess Wohl, has a lot of potential. The highly touted New York production, directed
There are identifiable years in the history of this nation that are shrouded in a foreboding of dire times ahead; 1860, 1877, 1914, 1918,
by Ernest Kearney — 'Antony and Cleopatra' has it all — magnificent history, towering characters, stunning pageantry and poetry of the highest order —
The Chromolume Theatre at The Attic has been the site of some stunning successes, and while their current production of Steven Sondheim's "Pacific Overtures,"
by Ernest Kearney — Forgiveness seems to be the theme of “Redline,” now playing in rep with “Sinner’s Laundry” at the Lounge Theatre
by Ernest Kearney — IAMA Theatre Company’s production, "Sinner’s Laundry," at the Lounge Theatre in Hollywood, can be summed up simply as "Orange is
Hamid Rahmanian is a film maker and graphic artist who in 2013 undertook to illustrate the Shahnameh. He has now transformed part of that
by Ernest Kearney — In "This Land," at The Company of Angels, playwright Evangeline Ordaz, uses a parcel of earth to structure a breathtakingly
by Ernest Kearney — "Bright Star," currently on stage at the Ahmanson Theatre, is the epitome of what the Broadway stage does to perfection.
by Ernest Kearney “My mother didn’t wear sneakers,” Fahn proclaims at the opening of her one-woman show, Under the Jello Mold, on-stage thru
By Ernest Kearney — The Fountain Theatre's production of "Runaway Home" by playwright Jeremy J. Kamps, is a cannonade of language that comes at
by Ernest Kearney — Klaus Kinski (1926-1991) was celebrated for his talent and disparaged for the madness that served as its foundation. Today he
by Ernest Kearney - Richard Lucas' award-winning "Bono and the Edge Waiting for Godomino's," has been remounted and is running for a limited time
by Ernest Kearney — The Australian Theatre Company's "Grey Nomad" by Dan Lee is the tale of Helen (Ros Gentle) and her husband Jim
"La Razón Blindada," by Argentinean playwright Aristides Vargas, achieves many things on stage; it is disturbing and insightful, but more than anything else, it
"Silent Sky" in its final weekend at Long Beach's International City Theatre, is a well-crafted feel-good evening in the theatre. If playwright Lauren Gunderson
The Coeurage Theatre Company has a mission statement, startling in both brevity and boldness: “…to make impassioned theatre accessible for all audiences through Pay