by Ernest Kearney — IAMA Theatre Company’s production, "Sinner’s Laundry," at the Lounge Theatre in Hollywood, can be summed up simply as "Orange is the New No Exit."
by Ernest Kearney — In "This Land," at The Company of Angels, playwright Evangeline Ordaz, uses a parcel of earth to structure a breathtakingly ambitious history of this city and its people that stretches over a century and a half.
by Ernest Kearney “My mother didn’t wear sneakers,” Fahn proclaims at the opening of her one-woman show, Under the Jello Mold, on-stage thru November 4 at The Whitefire in Sherman Oaks
By Ernest Kearney — The Fountain Theatre's production of "Runaway Home" by playwright Jeremy J. Kamps, is a cannonade of language that comes at the audience like canister shot.
The Coeurage Theatre Company has a mission statement, startling in both brevity and boldness: “…to make impassioned theatre accessible for all audiences through Pay What You Want admission….”
Over the years they have succeeded in…
Let us talk the lowest of high concept.
Take the most obnoxious representatives of our society’s ills:
A woman (Rebecca Larsen) obsessed with the entitlement her beauty bestows on her,
A man (Albert Dayan) defending the privileged birthright of those fortunate enough to be born white males,
A painfully
"The Tomb" by Ed Sharrow (at the Complex Theatre during Fringe 2017) is an encapsulated tale of Anthony the Great, also called Anthony of Egypt, who was a 4th century Christian mystic.
"Ascent" features the talents of dancer Adam Kerbel and Taiko drummer Shih-Wei Willie Wu in a fusion piece that displays more ambition than articulation. Its intention is to illuminate “the threats that aggressive masculinity plays on the psyche”; a noble goal
The Hollywood Fringe is in full-on fourth gear mode. Festival Director / Fringe Founder Ben Hill with his “crack team of Fringe shipmates” have made it very easy for you to better organize your festival journey. Go to www.hollywoodfringe.org to explore all of the events on