By Ernest Kearney — In his show "Furiozo," Polish clown Piotr Sikora develops an interesting relationship with his audience, one comparable to those relationships
By Ernest Kearney — "Easy Targets: Artists and Heroes" doesn’t quite reach the same heady heights as the Burglars of Hamm’s HHF17 offering, but it is
By Ernest Kearney - The Cherry Poppins Productions have embraced a formula which has served them well in Hollywood Fringe after Hollywood Fringe –
By Ernest Kearney — "American Conspiracy," playing during the Hollywood Fringe 2018 at The Lounge Theatre, recounts the trials and tribulations individuals face when
by Ernest Kearney - Epics tend to be about champions, giant defeaters, kingdom conquerors, warriors of a thousand battles. But seldom do you
by Ernest Kearney — My Own Private River Phoenix is a smart and funny piece that is just not ready to be staged. Written and
By Ernest Kearney — "Jack Benny (A Ménage En Train)" is the first perfect Fringe show of 2018. What does that entail? It is superbly
By Ernest Kearney - "House of Tales" is bursting with concepts and ideas to the point of avalanching the audience underneath them. Director Changting
By Darwyn Carson — Writer/Performer Katt Balsan is a force of a singular nature. You can catch her through the end of June in
By Ernest Kearney — "A Very Die Hard Christmas" is a rough little laugh-fest and delivers on what it promises quite nicely. Writer Josh Carson and
By Ernest Kearney — "Henry V" has long been considered one of Shakespeare’s problem plays; called a “stirring piece of drum-beating and flag-waving” by
By Ernest Kearney — There is some solid writing in Playwright/Director Travis Snyder-Eaton’s "Glitch," a two-person play about Rachel, a journalist (Gemma Pilar Alfaro), who
By Ernest Kearney — Blind Spots by Colette Freedman is political, witty and confounding. Gretchen Baxter (Veronica Wylie) is a liberal journalist who lives
By Ernest Kearney — The Unconventional Empire’s production of "Matthew Marcum’s Pollock: A Frequency Parable" proves they are more than capable of living up
By Ernest Kearney — "An Odyssey" by Patrick Denney is a solid piece of writing that is well-directed by Turner Munch and
By Ernest Kearney — James Royce is an okay mime. It’s ironic in a way that he’s performing his show in the Complex’s Ruby Theatre.
By Ernest Kearney — The Rogue Artists Ensemble are an imaginative group that integrates grand theatrics and excellent puppetry into their productions; sometimes with
By Ernest Kearney Playwright Greg Kalleres opens "Meanwhile Back at the Super Lair" interestingly enough; with a super hero n a
May 25, 2018 — "Theatre 40, the award-winning professional theatre company in Beverly Hills, announces its fifty-third season. The schedule is as follows: July 19- August
by Ernest Kearney — Playwright Henry David Hwang has joined the ranks of an exclusive group. James Thurber the humorist best known for The Secret
By Ernest Kearney — In my opinion, Long Beach’s International City Theatre artistic director, caryn desai has a genius for selecting and staging plays