By Ernest Kearney — Take Vladimir Nabokov’s 1955 novel Lolita, replace the titular blond “nymphet” with Thomas, the cartoon train, then cast Betty Boop
By Ernest Kearney — It is regrettable that more audiences didn’t have the opportunity of seeing "Butoh Medea," an adaptation of Euripides’ harrowing Greek classic
By Ernest Kearney — David Lucarelli’s "Doctor Zomba’s Ghost Show of Terror" is straight forward fun. As directed by Kevin Wetmore it harkens back
By Ernest Kearney — A small town unemployed knuckle-dragging ne'er-do-well (Adam Ferguson) is approached by a producer of reality TV (Te’juana Johnson) with an
By Ernest Kearney — If most non-artists know the name Chris Burden (1946-2015), it is for the art installation “Urban Light,” in front of
By Ernest Kearney — Puppeteer Jean Minuchin’s "Still Life of an Orange and Other Puppet Parables" starts off strong and closes strong but… somewhere
By Ernest Kearney — Still is a stylishly staged deconstruction of a murder mystery, involving three high school students, that shifts between the police
By Ernest Kearney — Michael Shaw Fisher has apparently taken to heart George Burns’ sage advice on how to be a success in “showbiz.”
By Ernest Kearney — The Burglars of Hamm are a delightfully merry and madcap lot. And if you needed proof of that, well there’s "Resa
By Ernest Kearney — "The Importance of Being Oscar" is demonstrative of a particular difficulty in writing plays, scripts or novels dealing with historical
TheTvolution.com Award Tallies for mid run of the Hollywood Fringe Festival ‘18 (HHF18): We rank all the shows we attend in one of the
By Ernest Kearney — It is a pity that "Shilo Kloko" was at the Fringe so briefly, because it offers a wonderful
By Ernest Kearney — If you watch enough of the shows produced by that Fringe stalwart Michael Blaha you realize he knows one of
By Ernest Kearney — "Earhart: More Than A F**king Mystery" is your basic fun-time show. It doesn’t go into the many sundry accusations about
By Ernest Kearney — Ain’t That America offers a truly unique viewpoint on a segment of our country that has been legitimatized and emboldened
By Ernest Kearney — From the very start of the preshow it was evident that the cast of "Mackers!" was not only a talented
By Ernest Kearney — Set in the Florida Keys during a raging hurricane "Spaceman," by Writer/Director Melissa Vitello, plays like a Twilight Zone spec-script
By Ernest Kearney — "Dracula's Taste Test" is no great shakes, but neither does it hold itself up as anything else. Essentially a variety show,
by Ernest Kearney — "The Book That I'm Going to Write, by Judy Garland" is an idea that someone should have talked performer/creator Jason
By Ernest Kearney — Cooper Bates’ one-man show, Black When I Was a Boy is a truly heartfelt tale of that banishment from paradise
By Ernest Kearney — "The Big Picture" is as cluttered, chaotic and confused as your average, interstate, multi-vehicle pileup and even less fun. Holly Goodfellow