By Ernest Kearney — In Judaism shame is at the forefront of it all. As related in Genesis, after their eating of the forbidden fruit, Adam and Eve’s first expression of their new state was in hiding from God.
By Ernest Kearney — Nick Pupo’s HFF23 production of his show "Addicted," did everything an audience wants a show to do.
By Ernest Kearney — I sat through one presentation of the musical “So Proudly We Hailed,” then immediately sat through a second presentation with a different cast.
By Ernest Kearney — In “Sherlock Holmes: The Last Act,” Nigel Miles-Thomas excels as the legendary detective from a script by David Stuart Davies, a connoisseur of all things 221B Baker Street.
By Ernest Kearney — In his show "Mark Pleases You," Vigeant provides enough wackiness to overload the largest three rings any circus has ever had to offer.
By Ernest Kearney — I am an aficionado when it comes to Flamenco. I am also a huge fan of both Aylin Bayaz and Raul Mannola and their show Flamencodanza.""
By Ernest Kearney — Writer-Performer Casey Alcoser gives us a brief history of Lovecraft’s chilling monstrosities in this quirky Dadaesque sketch about the American fantasy/horror writer Howard Phillips Lovecraft.
By Ernest Kearney — "The Ramón Show" is a public health service message masquerading as a Fringe show
At 60, when most people are planning for retirement or researching where they're going to spend the remainder of their days, Stevenson Ranch resident Braddon Mendelson decided to become a playwright.
By Ernest Kearney — Rebecca O’Brien runs for a bus. Projected on the back wall of the Hudson Theatre is the photo of a bus stop
