By Ernest Kearney — From the very start of the preshow it was evident that the cast of "Mackers!" was not only a talented bunch, but that they respected and were elated by each other’s talents; to me that foretold a good evening ahead.
By Ernest Kearney — Cooper Bates’ one-man show, Black When I Was a Boy is a truly heartfelt tale of that banishment from paradise so many of us experience when we first come to learn the sinful truth: The serpent of prejudice and racial intolerance
By Ernest Kearney — "Skin Jobs" by Jim Vejvoda is a short indictment of the undercurrent of racism still in Hollywood. Vejvoda has drawn on his time as a journalist, covering the entertainment industry, to create a tight and timely tale of Kerri (Virginia Tran);
By Ernest Kearney — On December 21, 1988 a bomb exploded on Pan Am Flight 103 over the town of Lockerbie, Scotland. All 259 souls, aboard, died in the crash—which also claimed the lives of 11 on the ground.
By Ernest Kearney — The School of Night and its Artistic Director, Christopher Johnson can always be counted on to present an audience with a work that is wonderfully wild and totally rooted in solid theatrics. And such is the case with their newest work, presented
By Ernest Kearney - The Cherry Poppins Productions have embraced a formula which has served them well in Hollywood Fringe after Hollywood Fringe – satire, song and strippers. And to judge by the raucous reception given them by the audience, of which I was among,
By Ernest Kearney — "American Conspiracy," playing during the Hollywood Fringe 2018 at The Lounge Theatre, recounts the trials and tribulations individuals face when trying to convince others—and themselves —that everything would be so much better in the world if only people would simply do
by Ernest Kearney - Epics tend to be about champions, giant defeaters, kingdom conquerors, warriors of a thousand battles. But seldom do you find, as the central figure, some poor sod who gets drunk one night and falls asleep on a rooftop, only to
by Ernest Kearney — My Own Private River Phoenix is a smart and funny piece that is just not ready to be staged. Written and performed by Ai Yoshihara she tells how she fell in love with River Phoenix at the age of 9, after watching
By Ernest Kearney — The Bitch is Back: An Elton John Cabaret is exactly that, no more no less. Director James Carey, with Darci Monet serving as vocal director, guides five actress/singers
