By Ernest Kearney — At the core of Nicholas Buda’s drama, "It’s In Our Bones,"' are two sisters trapped in a cabin confronting each other with their history of antagonistic disregard.
By Ernest Kearney — This tribute to Patrick, Tom, Liam Clancy and their musical confederate, Tommy Makem, is long overdue in “the Clancy Brothers and Tommy Makem.”
By Ernest Kearney — Writer and performer Mitchell Bisschop recreates two prominent Chicagoans in his show. Royko, and his close friend and fellow writer Louis “Studs” Terkel.
By Ernest Kearney — Hanoch Serebrenik is a very funny soul. His comic timing and his mannerisms display that happy combination of talent and experience.
By Ernest Kearney — British Comedian and Playwright Henry Naylor set off to Afghanistan to gather material for his play "Finding Bin Laden," and somewhere along the way found his own humanity.
By Ernest Kearney — Steve Vlasak’s shows are nothing if not ambitious. This was as apparent in his earlier Hollywood Fringe production of "Nights at the Algonquin Round Table" (HFF’17), as it is in his latest effort "Beautiful Monsterz" (HFF’22).
By Ernest Kearney — After a “successful workshop” production, a group of CalArts students have brought "Something in the Air" to HFF22. After seeing it I’m afraid I must question just who told them their workshop staging was “successful.”
By Ernest Kearney — Legendary rocker Joe Cocker was being interviewed once very early in his career when the BBC reporter asked him what he would have done if he hadn’t become a musician
By Ernest Kearney — Ahash Francis, has chosen a subject for his one-man show that is a fascinating and tragic figure from the history of the Tamil people in Sri Lanka.