By Ernest Kearney — In “Sherlock Holmes: The Last Act,” Nigel Miles-Thomas excels as the legendary detective from a script by David Stuart Davies, a connoisseur of all things 221B Baker Street.
By Ernest Kearney — Part of the reason that show, "Shagadelic" works so well is that Writer/Performer Michael Blaha could easily be a tenured academic of any Ivy League University.
By Ernest Kearney — In his show "Mark Pleases You," Vigeant provides enough wackiness to overload the largest three rings any circus has ever had to offer.
By Ernest Kearney — I am an aficionado when it comes to Flamenco. I am also a huge fan of both Aylin Bayaz and Raul Mannola and their show Flamencodanza.""
By Ernest Kearney — There was some talent on the stage – Danielle Shvartsman, Hess Hagge, and Phil Arliss – and then there wasn’t.
By Ernest Kearney — This is the second installment of the autobiographical tale Cooper Bates first introduced to Hollywood Fringe audiences in 2018. That show, like this one, follows his journey from the small town of Hill City, Kansas as he tries to realize his
By Ernest Kearney — Writer-Performer Casey Alcoser gives us a brief history of Lovecraft’s chilling monstrosities in this quirky Dadaesque sketch about the American fantasy/horror writer Howard Phillips Lovecraft.
By Ernest Kearney — The first date that manages to spiral down from the awkwardness of the initial meeting into the flaming bowels of hell is not exactly a fresh concept. But when you have a cast of highly talented actors and a script where
By Ernest Kearney — The first superstar of ballet was Vaslav Nijinsky (1890-1950). The remarkable fusion of strength and grace he possessed would lead to his being declared “the god of dance” by his admirers.
By Ernest Kearney — "The Ramón Show" is a public health service message masquerading as a Fringe show
