By Ernest Kearney — Larry Davidson’s one-man show, “The Undiscovered Country – A Skeptic’s Guide to the Afterlife” is rife with gimmicks – puppets, magic tricks, Judge “Jewry,” multi-medium, tarot cards and audience participation.
By Ernest Kearney — Cat Alvarado is a young comedian with lovely plumes in her bonnet. Unfortunately, her one-woman show "Best Wife Ever" is a comedy routine masquerading as a solo piece.
By Ernest Kearney — "Camp Ginger" is an intelligent well constructed tale of a young, sensitive, socially maladroit lad who is sent off to a summer camp that
By Ernest Kearney — What is startling about Charlotte Munson’s performance in her musical “Di Lady Di,” is the agility she displays in shifting from moments of silly mockery of Prince Charles to embracing the understated sensuality of the “People’s Princess” all in
By Ernest Kearney — In our time, in our world, there is no more important battle than that for the truth. And the journalists and reporters who bear the slanders of
By Ernest Kearney — There are two parts to Niek Versteeg’s solid success at playing the titular role in “Tommy Cooper: I Didn’t Let You Down, Did I?”
By Ernest Kearney — Writer/Performer Alex McSherry takes his clue from Historian John Keegan’s classic work "The Face of Battle" in "The Tanner."
By Ernest Kearney — “Vincerò” is the closing term cried by the “Unknown Prince,” which concludes “Nessun Dorma” from the opera "Turandot."
By Ernest Kearney — At first Clive Kennedy seems out of place on the stage at the Complex, where he is performing in "Revelation!" at 'Hollywood Fringe Festival '22.
By Ernest Kearney — “Cassandra,” at the Studio/stage for HFF’22, has a good deal going for it.
