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By Ernest Kearney — According to my sources, a “Chonker” is either a “human parasite that lives to feast on a

By Ernest Kearney — Playwright Carolyn Gage announces that the "Maid of Orlèans," in her 1987 play, "The Second Coming of Joan of Arc,"

By Ernest Kearney — Owen Thomas’ hour-long playlet relates a story told countless times in the history of this nation; that of

By Ernest Kearney — “You wouldn’t read about it in a book.” Here you have the most striking line of New Zealand

By Ernest Kearney  —  A spin on the popular “The Show That Went Wrong” formula has an acting company arriving late at the Three

By Ernest Kearney — Set in a bungalow at the Beverly Hills Hotel in 1961, Elizabeth Taylor (Kayla Boye) shares with an

By Ernest Kearney — In "Too Big for Her Britches," Writer/Performer Lisa Pezik is this side of amazing.

By Ernest Kearney — “Lights up!” a voice calls from the darkness before explaining, “That’s a theatre thing.” Aptly enough, we are left in the

By Ernest Kearney — Bianca Singer has an engaging persona, but that persona seems out of place within her one-woman show "Authentic Self: The

By Ernest Kearney — I am a self-confessed sucker for good clowning and Bonnie He offers that up in her one-woman creation,

In her one-woman show, “How to be Japanese,” Miyo Yamauchi shows herself to be an enjoyable and very entertaining storyteller.

By Ernest Kearney — Remove the focus of the hit series "Mad Men" away from the masculine realm of Madison Avenue, fix

By Ernest Kearney — In "The Pig Farm," Director John Leingang and Writer Richard Klein crowd their stage with a cluster of

By Ernest Kearney — I see the barest of stages: nondescript chair, nondescript glass…half full of nondescript water. Some token of a set would

By Ernest Kearney — Actress/Playwright Almanya Narula’s choice of subject matter shows a keen sense of what is both the dramatic and commercial. "Noor

By Ernest Kearney — "Metamorphoses," or perhaps more accurately from the Greek root “Transformations,” was Roman poet Ovid’s most ambitious effort and is, definitely,

By Ernest Kearney — Wakings! directed by Ron Sossi at the Odyssey Theatre Ensemble consists of four short pieces, four riddles

By Ernest Kearney — Well like a phoenix rising from a pandemic pyre the Hollywood Fringe Festival 2022 is here!   Two hundred and twenty-six

By Ernest Kearney — Tea holds a special significance in Japanese culture. Part of its importance can be derived from