By Ernest Kearney Playwright Pamela Eberhardt has written a funny comedy that conceals, beneath the laughter, a very vicious “Bouncing Betty.”
By Ernest Kearney — Hase’s one-woman show, "I Hear So Extremely Loud," currently running at The Hudson Theatre, is composed of brief selections taken
By Ernest Kearney — Karen Wilmer-West’s "Nature vs." begins with a nicely farcical melding of a totalitarian dystrophic America fused to an upper class
By Ernest Kearney — "Funny Bonz, the Humerus Solution" by the P3 Theatre Company suffers from a lack of slickness in some of the
By Ernest Kearney — Maria Callas (1923-1977) left an indelible mark as one of the most gifted and influential opera singers of
by Ernest Kearney — It was fitting that the first show of the Hollywood Fringe Festival '21, for this reviewer, was Gordon Stephen Matheson
By Ernest Kearney — "Lysistrata," the 411 BCE “anti-war,” “feminist” play by ancient Greece’s, King of Comedy, Aristophanes has endured many, many efforts at
By Ernest Kearney — If 'The Seven Step Process' by Lee Wochner is the last Zoom-play I sit through, it will be
By Ernest Kearney — What is often forgotten or overlooked — especially in our culture so devoted to the immediate and momentary sensorial impact
By Ernest Kearney — Concerning these theatre-faux video productions that have been dealt out to sate the “jonesing” of the culturally attuned, the progression
By Ernest Kearney — "Romeo & Juliet; Virtually" is another valiant effort to breach the great barrier of the current crisis and provide theatre
By Ernest Kearney — Well here we are, still in the great Covid plague of 2020, and this is my first theatre review sans
By Ernest Kearney — The BLUE13 Dance Company according to Paul Crewes, the Artistic Director of the Wallis Annenberg Center for the
Ernest Kearney — In choosing Mary Shelley’s "Frankenstein; or, The Modern Prometheus," Mat Sweeney, Jesse Rasmussen and Choreographer Sebastian Peters-Lazaro of Four
By Ernest Kearney — The rich soil of Frida Kahlo’s life has, spreading just beneath its surface, the roots of a dozen
By Ernest Kearney — Playwright Stanley Brown's 'Huckleberry Towers' is a show not without merit, but one without definition.
By Ernest Kearney — First and foremost, one leaves 'Dear Yoko' with the appreciation that Anzu Lawson has lived one heck of
y Ernest Kearney — The story goes that while giving an interview, many years back, Playwright Edward Albee was asked his opinion
By Ernest Kearney — I give to you my personal list of the best theatre Los Angeles offered in 2019, with a
By Ernest Kearney — David Mynne’s one-man show of Charles Dickens’ "Great Expectations" knocked me off my feet last year.
By Ernest Kearney — The Collaborative Artists Ensemble’s staging of "Unraveled" by Jennifer Blackmer brings to its audiences a serious, solid piece