By Ernest Kearney — In his show "Furiozo," Polish clown Piotr Sikora develops an interesting relationship with his audience, one comparable to those relationships
By Ernest Kearney — The School of Night and its Artistic Director, Christopher Johnson can always be counted on to present an audience with
By David Nairne — Damn! "The Joe and Joshua Show!" is clever and funny. Writer performers Joe Hernandez-Kolski and Joshua Silverstein string together
By Ernest Kearney — Actor, Playwright, Joshua Thomas was last at the Hollywood Fringe Festival in 2014 with "Angels and Whiskey." I
By Ernest Kearney — "Uncivil Correctness: Joan Rivers, Abbie Hoffman, Bin Laden," apparently, began as a class project and, unfortunately, it still feels like
By Ernest Kearney — "Shakes on the Rocks" has a poor concept of what it wants to be. Eleven actors prance out on the
By Ernest Kearney — The history of the United States Army installation of Fort Huachuca located in southeast Arizona is a fascinating tale rift
By Ernest Kearney — "Easy Targets: Artists and Heroes" doesn’t quite reach the same heady heights as the Burglars of Hamm’s HHF17 offering, but it is
By Ernest Kearney - The Cherry Poppins Productions have embraced a formula which has served them well in Hollywood Fringe after Hollywood Fringe –
By Ernest Kearney — "American Conspiracy," playing during the Hollywood Fringe 2018 at The Lounge Theatre, recounts the trials and tribulations individuals face when
by Ernest Kearney - Epics tend to be about champions, giant defeaters, kingdom conquerors, warriors of a thousand battles. But seldom do you
by Ernest Kearney — My Own Private River Phoenix is a smart and funny piece that is just not ready to be staged. Written and
By Ernest Kearney — The Bitch is Back: An Elton John Cabaret is exactly that, no more no less. Director James Carey, with Darci
By Ernest Kearney — "Jack Benny (A Ménage En Train)" is the first perfect Fringe show of 2018. What does that entail? It is superbly
By Ernest Kearney - "House of Tales" is bursting with concepts and ideas to the point of avalanching the audience underneath them. Director Changting
By Darwyn Carson — Writer/Performer Katt Balsan is a force of a singular nature. You can catch her through the end of June in
By Ernest Kearney — "A Very Die Hard Christmas" is a rough little laugh-fest and delivers on what it promises quite nicely. Writer Josh Carson and
By Ernest Kearney — "Henry V" has long been considered one of Shakespeare’s problem plays; called a “stirring piece of drum-beating and flag-waving” by
By Ernest Kearney — There is some solid writing in Playwright/Director Travis Snyder-Eaton’s "Glitch," a two-person play about Rachel, a journalist (Gemma Pilar Alfaro), who
By Ernest Kearney — Blind Spots by Colette Freedman is political, witty and confounding. Gretchen Baxter (Veronica Wylie) is a liberal journalist who lives
By Ernest Kearney — The Unconventional Empire’s production of "Matthew Marcum’s Pollock: A Frequency Parable" proves they are more than capable of living up