By Ernest Kearney — As someone who is bored to tears by sports and once even fell into a six-week coma when I accidentally
By Ernest Kearney — Are we the sum of our parts, or our parts themselves? Can we ever be free to be fully
By Ernest Kearney — Sam Pasternak’s concept in “Public Domain, The Musical,” while poking fun at Disney Studio’s propensity for squeezing profits out
By Ernest Kearney — It strikes me that certain shows at the Fringe are trying to follow the success of "The Mighty Boosh," the
By Ernest Kearney "The Mayor’s Debate of Tranquility, Nebraska" at the Complex Hollywood, while both a "Twilight Zone" doppelganger and political parable is
By Ernest Kearney — At the start of "The Last PowerPoint," which played The Hollywood Fringe Festival 2019, the CEO of disIncorporated plunges
By Ernest Kearney — "Jamba Juice The Musical" is a rough, toe-tapping little ditty, a kind of “Hey, I’ve got a barn” musical only
By Ernest Kearney — Some plays, due to the period of their composition or the language in which originally penned, present various problems for
By Ernest Kearney — A writer (Scott Golden) is assigned to do a book on the town of Wigfield. Nestled in the
By Ernest Kearney — Ryan J-W Smith is a known and respected quality among long time Fringers; admired for such productions as 'MacDeth," his
By Ernest Kearney — "Tattered Capes" by Gregory Crafts is like a Graphic Novel for the serious Graphic Novel reader.
By Ernest Kearney — The power of story is in its journey, it matters little whether that journey is Odysseus’s, Luke Skywalker’s or Billie
By Ernest Kearney — Poetess-songsmith-performer Kate Radford and Co-Producer Shoshannah Frankel have given the Hollywood Fringe Festival a work of lyricism and challenge in
By Ernest Kearney — School of Night is known and respected on the Fringe circuit for performing acrobatic feats of artistry with skillful aplomb
By David Nairne — Proudly go get your geek-on at "The Bully Problem," now playing at the Broadwater Main Stage for the Hollywood Fringe
By David Nairne — You are going to have a frigging good time at "Ride or Die: The Hip-Hop Musical." My first thoughts as
By Ernest Kearney — Last year, Mitchell Bisschop’s reworking of Madison Avenue icons into the "Citizen Kane" homage of "I Can Hear You Now,"
By Ernest Kearney — Stacy Dymalski is both smart and sharp a reality attested to in her HFF2018’s show "The Other Side of the
By Ernest Kearney — In "Lock Your Heart, Elder P.," Performer/Writer Robert Perkins offers an absorbing insight into both the psyche
By Ernest Kearney — Cathy Schenkelberg’s harrowing, hilarious and eye-opening account of her 20 years in the Scientology cult, "Squeeze My Cans," was one
By Ernest Kearney One-man show, "Clark Wade - A Jazzy Tragedy," is a stylish recounting of the rise and fall of