By Ernest Kearney — After an hour spent with her music, we still do not know who Elizabeth Eaton Converse, “Connie” to her friends,
The tunes in "Save Me a Spot" were both charming and moving, and wisely limited to ten in number. The book, about a
The last time the Tap Overload Company came to the Hollywood Fringe, my review of their show "Office Beat" was effusive, to the point
"Do You: Migration of the Monarchs" is a dazzling concept conveyed in a visually rich language, not a play as much as a pageantry
"Kinsherf’s Coat" harkens back to one of the Sixties most lamentable losses – “The Happening," which was was an indiscernible event that even survivors
What "Help! I Might be Fabulous" presents is a modern fable by way of Stonewall and "La Cage aux Folles," in which Alfie stands
"Shakeslesque" is a playfully amusing blend of Bard and boobs; a racy, randy raucous romp in which the buxom babes of Cherry Poppins Caburlesque
Playwright Adam Peck's "Bonnie & Clyde" brushes aside the legendary elements of the Bonnie Parker and Clyde Barrow story, putting its focus instead on
ShoWorks Entertainment has traveled from South Africa to stage two offerings at the Fringe, both written by South African playwright Keith Galloway. While
In James Cougar Canfield’s historical play Ladies in Waiting: The Judgement of Henry VIII the “ladies” in question are the six wives of that
It is odd to admire the seed but fault the fruit. But Brittanie Richardson’s solo show "Art and Abolition" has placed me in such
For those of you who are unschooled in America’s favorite pastime, Van Lingle Mungo was a Major League pitcher who played with the Brooklyn
"Secret Honor, The Last Testament of Richard M. Nixon" is a torrential tirade spewed by a scotch-soaked Richard M. Nixon, as he prepares to
"Comic-Con The Musical" celebrates that Mecca of Nerd-dom, The San Diego Comic-Con International aka Comic-Con. Four magical days every summer filled with celebrity
Director/writer/set designer Donovan Glover won the 1991 UCLA Best-New-Play-of-the-Year Award for this work and at times "Just Like Life" certainly feels like the work
In "The Girl who Jumped off the Hollywood Sign" written and performed by Joanne Hartstone, under the direction of Vince Fusco, the audience joins
I wanted "Zombie Clown Trump" (Surprise! It's a musical), so badly, to be great. But if wishes were horses….
"Bono and the Edge Waiting for Godomino's" by writer/director Richard Lucas approaches being the ultimate Hollywood Fringe Festival offering.
The personalities with whom playwright, Steven Vlasak populates “Nights at the Algonquin Round Table” are some the most acerbic wits, who carved up their
"My Janis," at The New Collective during Fringe 2017, is not actually a play. It is a moment selected from the life
"The Second Coming of Klaus Kinski" writer, performer Andrew Perez presents Kinski and all his demons with such unnerving commitment that the stench of