Ernest Kearney — Alli Miller-Fisher has been a Fringe staple ever since I’ve been involved, and her performances both as an actress and
By Ernest Kearney — June is slowly but steadily approaching, and with June comes that Saturnalia of the Arts, The Hollywood Fringe
By Ernest Kearney — Many found 2018 a rather soft year for theater, and it possibly was. Or perhaps it only seemed so since
Out of the 380-plus shows presented during Hollywood Fringe Festival Show 2018, 80 were viewed by TVolution critics: 69 of which garnered written coverage
By Ernest Kearney — The Aeriform Arts Studios is setup for those interested in learning the skills of trapeze, ribbon silks, lyra hoop and other forms
By Ernest Kearney — And here they are
By Ernest Kearney — I once taught a class entitled “Industry Reality 101.” The purpose of the class was to strip my students
By Ernest Kearney — Laura Grimaldi is a whirlwind of a performer with a winning mixture of humor and honesty. In "Left Turns," her
By Ernest Kearney — Now the funny thing is that the title, We Need This Musical to Stop Us From Killing Ourselves — the
By Ernest Kearney — "Fresh Meat" is set in a dystopian future where the world order seems to have fused into three distinct classes: cannibals,
By Ernest Kearney — In his latest Hollywood Fringe Festival offering, "New Kid on the Block," playwright John Patrick Daly's heart is in the right place,
By Ernest Kearney — "Baba, Jee (Father, Yes)" is a solidly written, smartly directed and tightly performed piece. The story is straight-forward and has,
By Ernest Kearney — Its title, "The Other Side of the Razor Ribbon," refers to the modern style of barbed wire one
The TVolution Hollywood Fringe Festival Awards Coming Soon!
By Ernest Kearney — There is nothing so evasive as engendering effective and credible dread in a live theatre environment. Films have it easy.
By Ernest Kearney — " Coasterthon Catastrophe: An Amusement Park Musical" is a rough, dopey, kinda silly, rather tuneful, utterly frantic, sorta
By Ernest Kearney — There is a great deal of love and passion that has gone into Shannon Penrod’s one woman show The Autism
By Ernest Kearney — “I was like Mozart in his day,” announces Bartholomew (Writer/Performer Montana Cypress) from his sanctuary in an abandoned section of
By Ernest Kearney — Like little boys with their toy soldiers, so, too, are little girls with their dolls: They weave webs of fantasies.
By Ernest Kearney — Writer/director Giovanni Zuniga has succeeded in doing what few playwrights seldom do: knock one out of the stadium, first time
By Ernest Kearney — Well I can’t say that I was able to discern the “three short plays, written by contemporary German authors.” There