Festivals

By Ernest Kearney —  "A Very Die Hard Christmas" is a rough little laugh-fest and delivers on what it promises quite nicely.  Writer Josh Carson and

By Ernest Kearney  —  "Henry V" has long been considered one of Shakespeare’s problem plays; called a “stirring piece of drum-beating and flag-waving” by

By Ernest Kearney  —  There is some solid writing in Playwright/Director Travis Snyder-Eaton’s "Glitch," a two-person play about Rachel, a journalist (Gemma Pilar Alfaro), who

By Ernest Kearney  —  Blind Spots by Colette Freedman is political, witty and confounding.  Gretchen Baxter (Veronica Wylie) is a liberal journalist who lives

By Ernest Kearney  —  The Unconventional Empire’s production of "Matthew Marcum’s Pollock: A Frequency Parable" proves they are more than capable of living up

By Ernest Kearney — "An Odyssey" by Patrick Denney is a solid piece of writing that is well-directed by Turner Munch and

By Ernest Kearney  —  James Royce is an okay mime. It’s ironic in a way that he’s performing his show in the Complex’s Ruby Theatre. 

by Darwyn Carson  —  With an eye and a heart dedicated to cohesive connection and support of local theatre, Better Lemons has become a

By Ernest Kearney Playwright Greg Kalleres opens "Meanwhile Back at the Super Lair" interestingly enough; with a super hero n a

[May 30, 2018] Stars of Broadway, music, movies and television sparkle as the Los Angeles Women’s Theatre Festival (LAWTF) comes to Culver City for

By Ernest Kearney — This is Festival Fringe Time in Hollywood 2018 -Part II. This being Hollywood Fringe, one should expect a

By Ernest Kearney  —  It’s that time once again L.A.! — June! The six month of the year, one of four boasting 30 days,

The 25th Annual (Silver Anniversary) Los Angeles Women’s Theatre Festival (LAWTF) has a roster of distinguished artists who will co-host four days and five programs at

In "Ashlee Olivia Presents E.A.R.T.H.A.," Ms. Jones delivers an exceptional performance of an exceptional performer

There have been a number of performances that will travel with me for quite some time during Hollywood Fringe 2017… a remarkably strong year

"The Spidey Project" has been one of the most popular shows at Fringe 2017 and it’s easy to understand why after seeing the first

Let us talk the lowest of high concept. Take the most obnoxious representatives of our society’s ills: A woman (Rebecca Larsen) obsessed with the entitlement her

In "The Sacred Beasts" for Hollywood Fringe 2017, writer/director Chris Wollman has mined a particularly rich vein of historical gold in the “Odd Coupling”

I must admit an admiration for Tricia Aurand’s undertaking in "Nicaea." Not only does she present an historical tale, but one of a most

There are more individuals whose talents deserve some Note of Distinction this year, and we, at TheTVolution wish the privilege of acknowledging them