By Ernest Kearney — Step by step, inch by inch – The Hollywood Fringe Festival 2019 draws nearer. Must say, I think this is going to be an exceptional year. First, because there seems to be a

by Ernest Kearney — Forough Farrokhzad was the subject of Sussan Deyhim’s The House is Black which I recently reviewed at the Wallis Annenberg Center for the Performing Arts. Little known outside of Iran, Farrokhzad was famously infamous in her