On Stage

 By Ernest Kearney  —  Before we move into the review of Playwright Andrew Osborne’s "Special" directed by Kerr Seth Lordygan at Theatre of Note,

By Ernest Kearney — This was my first “mashup” of theatre and film with soundtrack framed within a concert rendering. "Love Actually Live" at

By Ernest Kearney  —  "Fool for Love" by Sam Shepard, which just closed the Lounge Theatre in Hollywood, is not a tidy play.

By Ernest Kearney —  The story of Jim Jones­ has material enough for any ten dramatists. In the production "White Nights, Black Paradise," which

By Ernest Kearney — Writer/Performer Kathryn Taylor Smith has accomplished something remarkable with her one woman show "A Mile In My Shoes"

By Ernest Kearney — At the very least, congratulations must be bestowed on Writer/Director Amit Itelman’s "Bride of Blood" as hands down the wackiest

By Ernest Kearney  —  We are told by author Alan L. Brooks, he is "a doctor, not a playwright – and he has a

by Ernest Kearney  —  Matei Visniec is a Romanian playwright who sought and was granted political asylum in France in 1987.  Following the collapse

By Ernest Kearney — The Silence of the Lambs, the 1991 thriller directed by Jonathan Demme—based on the Thomas Harris 1988 novel of the

 By Ernest Kearney  —  "Gloria," the Pulitzer Prize-finalist, by Branden Jacobs-Jenkins is best described as an E-Ticket ride to the infernal regions of hell.

By Ernest Kearney  —  Of all Shakespeare’s plays save "Hamlet," "Othello" offers the most challenges to any cry of players, while also demanding they

by Ernest Kearney As he espoused passion for both the city and its theatre, it is fitting that the late writer Ray

By Ernest Kearney  —  In 1944 The Glass Menagerie established its young playwright, Tennessee Williams as a major new talent in the world of

By Ernest Kearney  —  When the Russian poet Vladimir Mayakovsky was found on April 14, 1930—a suicide at the age of 36—his handwritten note

By Ernest Kearney  —  The Open Fist Company under Ben Martin’s skillful direction have done well by Author Dylan Thomas in their production of

By Ernest Kearney  —  I can’t say I am very conversant with the 17th century Spanish Playwright Tirso de Molina.  He was a fascinating

By Ernest Kearney —  There is nothing as intoxicating as watching a Performance – capital “P.”  It matters little if that performance involves any

Out of the 380-plus shows presented during Hollywood Fringe Festival Show 2018, 80 were viewed by TVolution critics: 69 of which garnered written coverage

By Ernest Kearney —  The Aeriform Arts Studios is setup for those interested in learning the skills of trapeze, ribbon silks, lyra hoop and other forms

By Ernest Kearney  — I once taught a class entitled “Industry Reality 101.” The purpose of the class was to strip my students