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The Arts

By Ernest Kearney - Alma Collins offers invaluable insights, in this Hollywood Fringe staging at the Hudson Theatre, and shows us that ithe journey

By Ernest Kearney — Hase’s one-woman show, "I Hear So Extremely Loud," currently running at The Hudson Theatre, is composed of brief selections taken

By Ernest Kearney  — Karen Wilmer-West’s "Nature vs." begins with a nicely farcical melding of a totalitarian dystrophic America fused to an upper class

By Ernest Kearney — "Funny Bonz, the Humerus Solution" by the P3 Theatre Company suffers from a lack of slickness in some of the

HOLLYWOOD, CA — The Hollywood Fringe has officially launched a new mobile app for community members to access show information, purchase tickets, and organize schedules throughout

By Ernest Kearney — Maria Callas (1923-1977) left an indelible mark as one of the most gifted and influential opera singers of

by Ernest Kearney — It was fitting that the first show of the Hollywood Fringe Festival '21, for this reviewer, was Gordon Stephen Matheson

By Ernest Kearney — "Lysistrata," the 411 BCE “anti-war,” “feminist” play by ancient Greece’s, King of Comedy, Aristophanes has endured many, many efforts at

By Ernest Kearney — If 'The Seven Step Process' by Lee Wochner is the last Zoom-play I sit through, it will be

By Ernest Kearney — The Star-Spangled Banner has had a rather checkered history. As most readers will remember from high school

By Ernest Kearney — Concerning these theatre-faux video productions that have been dealt out to sate the “jonesing” of the culturally attuned, the progression

By Ernest Kearney — "Romeo & Juliet; Virtually" is another valiant effort to breach the great barrier of the current crisis and provide theatre

By Ernest Kearney — Well here we are, still in the great Covid plague of 2020, and this is my first theatre review sans

By Ernest Kearney — Early Thursday morning, February 27, 2020, noted character actor Gene Dynarski shuffled off his mortal coil in a Studio City

By Ernest Kearney — The BLUE13 Dance Company according to Paul Crewes, the Artistic Director of the Wallis Annenberg Center for the

Ernest Kearney — In choosing Mary Shelley’s "Frankenstein; or, The Modern Prometheus," Mat Sweeney, Jesse Rasmussen and Choreographer Sebastian Peters-Lazaro of Four

By Ernest Kearney — The rich soil of Frida Kahlo’s life has, spreading just beneath its surface, the roots of a dozen

By Ernest Kearney — Playwright Stanley Brown's 'Huckleberry Towers' is a show not without merit, but one without definition.

By Ernest Kearney — First and foremost, one leaves 'Dear Yoko' with the appreciation that Anzu Lawson has lived one heck of

y Ernest Kearney — The story goes that while giving an interview, many years back, Playwright Edward Albee was asked his opinion