Ernest Kearney — Alli Miller-Fisher has been a Fringe staple ever since I’ve been involved, and her performances both as an actress and
By Ernest Kearney — School of Night is known and respected on the Fringe circuit for performing acrobatic feats of artistry with skillful aplomb
By David Nairne — Proudly go get your geek-on at "The Bully Problem," now playing at the Broadwater Main Stage for the Hollywood Fringe
By David Nairne — You are going to have a frigging good time at "Ride or Die: The Hip-Hop Musical." My first thoughts as
By Ernest Kearney — Last year, Mitchell Bisschop’s reworking of Madison Avenue icons into the "Citizen Kane" homage of "I Can Hear You Now,"
By Ernest Kearney — Stacy Dymalski is both smart and sharp a reality attested to in her HFF2018’s show "The Other Side of the
By Ernest Kearney — In "Lock Your Heart, Elder P.," Performer/Writer Robert Perkins offers an absorbing insight into both the psyche
By Ernest Kearney — Cathy Schenkelberg’s harrowing, hilarious and eye-opening account of her 20 years in the Scientology cult, "Squeeze My Cans," was one
By Ernest Kearney One-man show, "Clark Wade - A Jazzy Tragedy," is a stylish recounting of the rise and fall of
By Ernest Kearney — The Indomitus Theatre Company is young…. Very young. They are in the flush of discovery of the power and the
By Ernest Kearney — "Catastrophe!" is unfortunately the most aptly named show of this year’s Hollywood Fringe.
By David Nairne — "Son Of A Bitch," running at the Broadwater during Hollywood Fringe 2019, focuses on Lee Atwater’s — Republican-Strategist-Liar-Driven-Liar-Brilliant-Liar-Son-of-a-Bitch— rise to
By Ernest Kearney — It was the sight of torch-wielding marchers parading through the streets of Charlottesville, Virginia chanting, “Jews shall not replace us,”
By Ernest Kearney — We enter the Broadwater, the venue where I was covering my first show for Hollywood Fringe 2019, to the
By Ernest Kearney — Porters of Hellsgate Theatre Company has dedicated itself to the plays of Shakespeare; with "Double Falsehood," part of the Hollywood
By Ernest Kearney — A promising premise from Playwright/Producer Holiday Kinard: What if
By Ernest Kearney — The onset of Alzheimer’s and the devastation it wreaks on lives has been oft chronicled and the ravages of illness
By Ernest Kearney — CC Sheffield’s story is pretty standard stuff at any Fringe
By Ernest Kearney — A chair and a twisted statue are all that is on the stage as the audience shuffles in the dimness
By Ernest Kearney — An Amazing Abyss of Artsy Abstract Absurdity.* I ran into Mitchell Bisschop, ("Pit Of Goblins" writer/performer) on
By Ernest Kearney — Edward C. Goodman is a Fringe veteran of such HFF laff-generators as "Mr. Mark Twain Answers All Your Questions and