By Ernest Kearney – If pushed to describe Mark Vigeant’s overall approach to comedy, I would compare it to The Texas Chainsaw Massacre – only much funnier.
By Ernest Kearney — Oxymorons. Defined by assorted dictionaries as, “A combination of contradictory or incongruous words.”
They pour forth from Shakespeare’s plays: “Sweet sorrow,” “feather of lead,” “wolvish-ravening lamb.”
By Ernest Kearney – In Fatherland, Stephen Sachs has taken a page from such “documentary plays” as Michael Hastings’ 1966 Lee Harvey Oswald: A Far Mean Streak of Indepence [sic] Brought on by Negleck [sic] an indictment of
By Ernest Kearney — City Garage’s production of "Insulted. Belarus," a chronicle of that country’s political woes by native son Andrei Kureichik, is commendable on a number of levels
By Ernest Kearney — For a decade, each fall, the father John (Arye Gross) and his daughter Caitlyn (Jacqueline Misaye) spend time in the backyard of the family’s Maryland home bonding in that most serenely pensive pursuit of bird watching; referred to by
By Ernest Kearney — "A Midsummer Night’s Dream" ( at A Noise Within thru Nov. 12) is one of the most underrated, and in some ways misunderstood, of all the Bard’s plays
By Ernest Kearney — "Ghost Land," at City Garage Theatre, opens with the kindly face of a gigantic god staring down upon us, a god that we soon see is as sickly and as wounded as we all are.