By Ernest Kearney — Porters of Hellsgate Theatre Company has dedicated itself to the plays of Shakespeare; with "Double Falsehood," part of the Hollywood Fringe for 2019, they have moved into the realm of debated plays by the Bard.
By Ernest Kearney — A promising premise from Playwright/Producer Holiday Kinard: What if
By Ernest Kearney — The onset of Alzheimer’s and the devastation it wreaks on lives has been oft chronicled and the ravages of illness upon the gay community has been examined to near excess in the phalanx of AIDS centered plays; to the extent that
By Ernest Kearney — CC Sheffield’s story is pretty standard stuff at any Fringe
By Ernest Kearney — An Amazing Abyss of Artsy Abstract Absurdity.* I ran into Mitchell Bisschop, ("Pit Of Goblins" writer/performer) on my way to see "Mil Grus." “Oh, joy!” he exclaimed – or words to that effect – when I told him
By Ernest Kearney — Edward C. Goodman is a Fringe veteran of such HFF laff-generators as "Mr. Mark Twain Answers All Your Questions and The Poe Show." I’m happy to see that producers Kristen Boulé got him off his meds long enough for this
By Ernest Kearney — Well what do you know? Here’s The Tvolution’s final list of recommendations prior to the opening of the 2019 Hollywood Fringe Festival, which runs the entire month of June. And they are a captivating catalog to say the least
By Ernest Kearney — The International City Theatre mounts sturdy, structured and splendid productions of nearly every play it presents.
By Ernest Kearney — Hershey Felder began doing his solo shows based on the lives of great composers some twenty-five years ago at the old Tiffany Theatre on Sunset Boulevard. This fact is missing from his resume to avoid having to deal with the East
