by Ernest Kearney — "Bright Star," currently on stage at the Ahmanson Theatre, is the epitome of what the Broadway stage does to perfection. It is a huge, radiant, exquisitely produced and performed crowd-pleaser, guaranteed to delight busloads of tourists visiting from Kansas.
by Ernest Kearney “My mother didn’t wear sneakers,” Fahn proclaims at the opening of her one-woman show, Under the Jello Mold, on-stage thru November 4 at The Whitefire in Sherman Oaks
By Ernest Kearney — The Fountain Theatre's production of "Runaway Home" by playwright Jeremy J. Kamps, is a cannonade of language that comes at the audience like canister shot.
by Ernest Kearney — Klaus Kinski (1926-1991) was celebrated for his talent and disparaged for the madness that served as its foundation. Today he is best remembered for his collaborations with director Werner Herzog in films like Aguirre, the Wrath of God (1972) and Fitzcarraldo (1982), and for the
by Ernest Kearney - Richard Lucas' award-winning "Bono and the Edge Waiting for Godomino's," has been remounted and is running for a limited time at The Whirefire Theater in Sherman Oaks.
by Ernest Kearney — I do have a soft spot for weird sci-fi flicks - The History of Future Folk (2013), John Carpenter’s Dark Star (1974), Morons from Outer Space (1985), Spaced Invaders (1990), and Killer Klowns From Outer Space (1988). So Cory McAbee’s American Astronaut
by Ernest Kearney — The Australian Theatre Company's "Grey Nomad" by Dan Lee is the tale of Helen (Ros Gentle) and her husband Jim (David Ross Paterson) who have set off in their caravan to explore the Never Never (Outback) of Oz (Australia).
"La Razón Blindada," by Argentinean playwright Aristides Vargas, achieves many things on stage; it is disturbing and insightful, but more than anything else, it is staggeringly funny. Currently running at the 24th Street Theatre in Los Angeles
"Silent Sky" in its final weekend at Long Beach's International City Theatre, is a well-crafted feel-good evening in the theatre. If playwright Lauren Gunderson had decided to draw on Scottish history for her play then we may have wound up with a sweet love story
The Coeurage Theatre Company has a mission statement, startling in both brevity and boldness: “…to make impassioned theatre accessible for all audiences through Pay What You Want admission….” Over the years they have succeeded in…
