by Ernest Kearney — Forgiveness seems to be the theme of “Redline,” now playing in rep with “Sinner’s Laundry” at the Lounge Theatre in Hollywood. The Christian Durso two-character drama is premiering as part of IAMA Theatre Company’s tenth anniversary season celebration.
by Ernest Kearney — IAMA Theatre Company’s production, "Sinner’s Laundry," at the Lounge Theatre in Hollywood, can be summed up simply as "Orange is the New No Exit."
Hamid Rahmanian is a film maker and graphic artist who in 2013 undertook to illustrate the Shahnameh. He has now transformed part of that effort to the stage as 'Feathers of Fire – A Persian Epic,' a stunningly beautiful evening of lights, shadows and theatrical
by Ernest Kearney — In "This Land," at The Company of Angels, playwright Evangeline Ordaz, uses a parcel of earth to structure a breathtakingly ambitious history of this city and its people that stretches over a century and a half.
by Ernest Kearney — "Bright Star," currently on stage at the Ahmanson Theatre, is the epitome of what the Broadway stage does to perfection. It is a huge, radiant, exquisitely produced and performed crowd-pleaser, guaranteed to delight busloads of tourists visiting from Kansas.
by Ernest Kearney “My mother didn’t wear sneakers,” Fahn proclaims at the opening of her one-woman show, Under the Jello Mold, on-stage thru November 4 at The Whitefire in Sherman Oaks
By Ernest Kearney — The Fountain Theatre's production of "Runaway Home" by playwright Jeremy J. Kamps, is a cannonade of language that comes at the audience like canister shot.
by Ernest Kearney — Klaus Kinski (1926-1991) was celebrated for his talent and disparaged for the madness that served as its foundation. Today he is best remembered for his collaborations with director Werner Herzog in films like Aguirre, the Wrath of God (1972) and Fitzcarraldo (1982), and for the
by Ernest Kearney - Richard Lucas' award-winning "Bono and the Edge Waiting for Godomino's," has been remounted and is running for a limited time at The Whirefire Theater in Sherman Oaks.
by Ernest Kearney — I do have a soft spot for weird sci-fi flicks - The History of Future Folk (2013), John Carpenter’s Dark Star (1974), Morons from Outer Space (1985), Spaced Invaders (1990), and Killer Klowns From Outer Space (1988). So Cory McAbee’s American Astronaut
