By Ernest Kearney — “I was like Mozart in his day,” announces Bartholomew (Writer/Performer Montana Cypress) from his sanctuary in an abandoned section of the New York subway. “Misunderstood, misinterpreted but not missed.”
By Ernest Kearney — Like little boys with their toy soldiers, so, too, are little girls with their dolls: They weave webs of fantasies. But nothing, as psychologists have finally realized over the recent decades, is quite as important as the pretend world of a
By Ernest Kearney — Writer/director Giovanni Zuniga has succeeded in doing what few playwrights seldom do: knock one out of the stadium, first time up to bat; which is exactly what Zuniga has done with "Pervert."
By Ernest Kearney — Well I can’t say that I was able to discern the “three short plays, written by contemporary German authors.” There was just a single, intense, extended scene.
By Ernest Kearney — It is regrettable that more audiences didn’t have the opportunity of seeing "Butoh Medea," an adaptation of Euripides’ harrowing Greek classic of a mother who, due to the betrayal and infidelities of her husband, was driven to slaughter her children
By Ernest Kearney — David Lucarelli’s "Doctor Zomba’s Ghost Show of Terror" is straight forward fun. As directed by Kevin Wetmore it harkens back to the old Jeepers-Creepers Shows of the 1960s.
By Ernest Kearney — In Eugene O’Neill’s, “Long Day’s Journey Into Night,” in production at the Wallis through July 1st, 2018, we witness a doomed family on stage before us. All love, all compassion, all warmth and tenderness, all hope is corrupted
By Ernest Kearney — A small town unemployed knuckle-dragging ne'er-do-well (Adam Ferguson) is approached by a producer of reality TV (Te’juana Johnson) with an offer. The producer will pay Ferguson one million dollars; he will have one week to spend the sum however he likes,
By Ernest Kearney — If most non-artists know the name Chris Burden (1946-2015), it is for the art installation “Urban Light,” in front of the Los Angeles County Museum of Art on Wilshire Boulevard, featuring 202 antique street lamps that once provided illumination to neighborhoods
By Ernest Kearney — Puppeteer Jean Minuchin’s "Still Life of an Orange and Other Puppet Parables" starts off strong and closes strong but… somewhere along the way, the middle falls out, leaving a center that doesn’t seem connected to the creative bookends it’s wedged between.
