By Ernest Kearney — All I was expecting from "Al Fine"— a ten-minute show about “the final moments of the musicians on the Titanic,” was a group of actors on stage going “glub-glub-glub” as they threw ice cubes at the audience
By Ernest Kearney – A big one-eyed pink gob skitters on stage; a belching, burping, farting, gurgling kinda cuddly pink blob who wants to play catch.
By Ernest Kearney – "Sam" is a sweet show, and writer/director/performer Sam Labrecque is an engaging and talented young actress.
By Ernest Kearney — Ah, there’s the rumbling that’s music to my ears. A rumbling rising up from actors emoting, directors interpreting, producers frothing;
By Ernest Kearney — A horizontal tango. A wailing of loneliness. A cleaning of the stage accompanied by a smothering profusion of lavender.
By Ernest Kearney — “A lot of trouble about a little music,” snarls Andrei Zhdanov (John Kayton) the Central Committee’s Chief of Ideology as he lords it over the two quivering souls before him.
By Ernest Kearney — Oxymorons. Defined by assorted dictionaries as, “A combination of contradictory or incongruous words.” They pour forth from Shakespeare’s plays: “Sweet sorrow,” “feather of lead,” “wolvish-ravening lamb.”
By Ernest Kearney – In Fatherland, Stephen Sachs has taken a page from such “documentary plays” as Michael Hastings’ 1966 Lee Harvey Oswald: A Far Mean Streak of Indepence [sic] Brought on by Negleck [sic] an indictment of
By Ernest Kearney — There are those legendary hit musicals that graced the Great White Way to sold-out audiences and gathered enough awards to sink your average battleship.
The International Flamenco Festival Features Living Legend 'Tomatito', 'Jose Maya & Rycardo Moreno' direct from Spain - March 7 and 9.
