By Ernest Kearney — “You wouldn’t read about it in a book.” Here you have the most striking line of New Zealand Playwright Gary Henderson’s "An Unseasonable Fall of Snow."
By Ernest Kearney — A spin on the popular “The Show That Went Wrong” formula has an acting company arriving late at the Three Clubs Bar minus half their company requiring that audience members be press-ganged into substituting for them.
By Ernest Kearney — Set in a bungalow at the Beverly Hills Hotel in 1961, Elizabeth Taylor (Kayla Boye) shares with an unseen interviewer, and the audience, her life story
By Ernest Kearney — In "Too Big for Her Britches," Writer/Performer Lisa Pezik is this side of amazing.
By Ernest Kearney — “Lights up!” a voice calls from the darkness before explaining, “That’s a theatre thing.” Aptly enough, we are left in the dark.
By Ernest Kearney — Bianca Singer has an engaging persona, but that persona seems out of place within her one-woman show "Authentic Self: The Quarantine Diaries."
By Ernest Kearney — I am a self-confessed sucker for good clowning and Bonnie He offers that up in her one-woman creation, "A Terrible Show for Terrible People."
In her one-woman show, “How to be Japanese,” Miyo Yamauchi shows herself to be an enjoyable and very entertaining storyteller.
By Ernest Kearney — Remove the focus of the hit series "Mad Men" away from the masculine realm of Madison Avenue, fix it onto the bleak domestic field of their feminine “better
By Ernest Kearney — In "The Pig Farm," Director John Leingang and Writer Richard Klein crowd their stage with a cluster of genres, providing their audiences with murderous cuties, suicidal elders, asinine Christians, coldblooded mobsters, ravenous piggies and
