Michelle Murphy’s ‘Keeper’ – Bittersweet, Very Funny
By Ernest Kearney — A young girl who loves camp is at the core of the story in "Keeper," and her tale is one that radiates with sincerity and love.
Nick Pupo: ‘Addicted’ – Could Be Habit Forming
By Ernest Kearney — Nick Pupo’s HFF23 production of his show "Addicted," did everything an audience wants a show to do.
‘Rhythm Delivered’ – Drumatix Puts Their Best Foot Forward…
By Ernest Kearney — “Rhythm Delivered” features DrumatiX, a gaggle of tap-dancing percussionist clowning mimes unleashed on the Fringe by Choreographer Noa Barankin…
‘So Proudly We Hailed’ – A Musical Salute To The Brave
By Ernest Kearney — I sat through one presentation of the musical “So Proudly We Hailed,” then immediately sat through a second presentation with a different cast.
‘Sherlock Holmes: The Last Act’– A Well-Treaded But Lovely Walk Down “Memory Holmes”
By Ernest Kearney — In “Sherlock Holmes: The Last Act,” Nigel Miles-Thomas excels as the legendary detective from a script by David Stuart Davies, a connoisseur of all things 221B Baker Street.
‘Shagadelic: The Origins of Slang Words For Doing It’- Does It F**King Well!
By Ernest Kearney — Part of the reason that show, "Shagadelic" works so well is that Writer/Performer Michael Blaha could easily be a tenured academic of any Ivy League University.
‘Mark Pleases You’ – In A Word: “Wow!” In Two Words: “Wow! Wow!!”
By Ernest Kearney — In his show "Mark Pleases You," Vigeant provides enough wackiness to overload the largest three rings any circus has ever had to offer.
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‘Flamencodanza’ – A Superlative Performance, A Stinging Indictment
By Ernest Kearney — I am an aficionado when it comes to Flamenco. I am also a huge fan of both Aylin Bayaz and Raul Mannola and their show Flamencodanza.""
‘A Worthless Piece Of Sh*t’ – They’re Not Kidding
By Ernest Kearney — There was some talent on the stage – Danielle Shvartsman, Hess Hagge, and Phil Arliss – and then there wasn’t.
‘Black When I Was A Boy – Part II, Blacked Out’
By Ernest Kearney — This is the second installment of the autobiographical tale Cooper Bates first introduced to Hollywood Fringe audiences in 2018. That show, like this one, follows his journey from the small town of Hill City, Kansas as he tries to realize his