By Ernest Kearney — Michael Shaw Fisher has apparently taken to heart George Burns’ sage advice on how to be a success in “showbiz.” According to Burns, “Find talent and marry it.” That Fisher started out as a pretty talented guy has only gained a
By Ernest Kearney — The Burglars of Hamm are a delightfully merry and madcap lot. And if you needed proof of that, well there’s "Resa Fantastiskt Mystisk," which has been extended from its Hollywood Fringe 2018 run.
By Ernest Kearney — "The Importance of Being Oscar" is demonstrative of a particular difficulty in writing plays, scripts or novels dealing with historical personages; the author must always master them.
TheTvolution.com Award Tallies for mid run of the Hollywood Fringe Festival ‘18 (HHF18): We rank all the shows we attend in one of the five categories listed below:
By Ernest Kearney — It is a pity that "Shilo Kloko" was at the Fringe so briefly, because it offers a wonderful opportunity to experience Butoh dance theatre and Japanese puppetry art.
By Ernest Kearney — If you watch enough of the shows produced by that Fringe stalwart Michael Blaha you realize he knows one of the great secrets of successful producers. Forget helicopters flying over the audience or high-tech computerized video effects or a
By Ernest Kearney — "Earhart: More Than A F**king Mystery" is your basic fun-time show. It doesn’t go into the many sundry accusations about her actual skills as an aviator, nor does it investigate the charges of shameless promoting done by Earhart’s husband George P.
By Ernest Kearney — Ain’t That America offers a truly unique viewpoint on a segment of our country that has been legitimatized and emboldened since the last presidential election: the young alt-right conservatives of the South.
By Ernest Kearney — From the very start of the preshow it was evident that the cast of "Mackers!" was not only a talented bunch, but that they respected and were elated by each other’s talents; to me that foretold a good evening ahead.
By Ernest Kearney — Set in the Florida Keys during a raging hurricane "Spaceman," by Writer/Director Melissa Vitello, plays like a Twilight Zone spec-script that Rod Serling would have rejected.
