In "The Sacred Beasts" for Hollywood Fringe 2017, writer/director Chris Wollman has mined a particularly rich vein of historical gold in the “Odd Coupling” of the most iconic of icons: Ernest Hemmingway and Orson Welles, a pair of larger than life figures who bore the
I must admit an admiration for Tricia Aurand’s undertaking in "Nicaea." Not only does she present an historical tale, but one of a most singular topic; the First Council of Nicaea called by Constantine I in 325 AD.
There are more individuals whose talents deserve some Note of Distinction this year, and we, at TheTVolution wish the privilege of acknowledging them
All playwrights of any merit explore those vast and stretching abysses that form human relationships. In his earlier work, “The Size of Pike” and now in “Triptych,” writer Lee Wochner shows he prefers to delve into the most convoluted canyons to journey in reverse of
In “The King’s Language,” writer/director Chris Yejin, has presented the Fringe with an entertaining and intelligent little history lesson of King Sejong (1397 – 1450), who ruled Korea for 42 years. And like the 2005 Korean film "King and the Clown" and like "King
It is always a pity when a show falls through the cracks, and with 375 Fringe 2017 shows that is not an altogether uncommon occurrence. The Tempest Theatre production of "Sparrow" was unfortunately such a show.
The tunes in "Save Me a Spot" were both charming and moving, and wisely limited to ten in number. The book, about a group waiting in line to buy tickets for a boy band reunion was clever and amusing, and cast members were solidly
The last time the Tap Overload Company came to the Hollywood Fringe, my review of their show "Office Beat" was effusive, to the point of idolatry in gushing superlatives, and closed with my invitation to please return. Happily, for all they did!
"Do You: Migration of the Monarchs" is a dazzling concept conveyed in a visually rich language, not a play as much as a pageantry of images, song and dance. At the center is director/performer/costume designer Yozmit Walker, whose ideas and concepts flood off the stage
"Kinsherf’s Coat" harkens back to one of the Sixties most lamentable losses – “The Happening," which was was an indiscernible event that even survivors of the “Love Generation” found difficult to define; though they all claimed to recognize one when it “happened.”
