Conceived, written and produced by Linden Waddell — who also performs, with Miller directing — Hello Again! The Songs of Allan Sherman is exactly what it states itself to be, “a musical romp featuring the genius of Allan Sherman’s parody lyrics.”
As the nerdiest kid this side of the Rockies, I lived for the cheesy Sci-Fi that oozed out of the fifties like the blob outa a whiffle ball: "It Came from Outer Space," "This Island Earth," "The Crawling Eye." "Robot Monster," a musical at this
"Ascent" features the talents of dancer Adam Kerbel and Taiko drummer Shih-Wei Willie Wu in a fusion piece that displays more ambition than articulation. Its intention is to illuminate “the threats that aggressive masculinity plays on the psyche”; a noble goal
Under the direction of Giovanna Sardelli, solid performances command the stage, in a new work by Rajiv Joseph; author of the award winning "Bengal Tiger at the Baghdad Zoo" and "Guards at the Taj."
For the most part, Korean cinema has not rung the dong for me. I Saw the Devil (2010) Kim Jee-woon’s brutal and bloody psychological thriller gained, mostly, positive reviews after its premiere at the 2011 Sundance Film Festival, but I can’t honestly comment on this well-crafted and
The Robey Theatre Company and Los Angeles Theatre Center have partnered for the staging of "Dr. Du Bois and Miss Ovington." Read the full review.
Theatre Unleashed, who has employed a sense of intelligence and willingness to push the envelope over the ensuing years, now takes on Steinbeck’s “Of Mice and Men.”
Starting June 1st and running throughout the entire month Hollywood Fringe 2017 will be offering up 356 shows; all vying for your attention. Tickets become available May 1, so now’s the time to start checking out the Fringe at hollywoodfringe.org/ to start making your plans.
In an isolated study room, set off in a forgotten wing of a cavernous comprehensive school tucked away in a working-class district of Britain, Tony Award-winning playwright and former teacher Simon Stephens deals out a tidy collection of “at-risk youths.”
The Latino Theater Company offers up a first-class troupe for the world premiere of Jonathan Ceniceroz’s “The Cruise.”
