By Ernest Kearney — "Henry V" has long been considered one of Shakespeare’s problem plays; called a “stirring piece of drum-beating and flag-waving” by one critic. But "Henry V" offers more buried ore to be mined than nearly any other work of the Bard.
By Ernest Kearney — There is some solid writing in Playwright/Director Travis Snyder-Eaton’s "Glitch," a two-person play about Rachel, a journalist (Gemma Pilar Alfaro), who is interviewing Jonathan, a convicted spree killer (Jordan Klomp).
By Ernest Kearney — Blind Spots by Colette Freedman is political, witty and confounding. Gretchen Baxter (Veronica Wylie) is a liberal journalist who lives with Birdy (Koni McCurdy), — her ʹ60s “Peace Corps” mother— is having an affair with her young, student intern Janna (Tamara
By Ernest Kearney — The Unconventional Empire’s production of "Matthew Marcum’s Pollock: A Frequency Parable" proves they are more than capable of living up to their name.
By Ernest Kearney — "An Odyssey" by Patrick Denney is a solid piece of writing that is well-directed by Turner Munch and well-acted by Julia Davis, Joe DeSoto and Carolina Montenegro.
By Ernest Kearney — James Royce is an okay mime. It’s ironic in a way that he’s performing his show in the Complex’s Ruby Theatre. It was Richmond Shepard who first began to connect store fronts along Santa Monica Boulevard and so is one of the
By Ernest Kearney — The Rogue Artists Ensemble are an imaginative group that integrates grand theatrics and excellent puppetry into their productions; sometimes with great success as in "The Gogol Project," sometimes less so as in "D is for Dog."
By Ernest Kearney Playwright Greg Kalleres opens "Meanwhile Back at the Super Lair" interestingly enough; with a super hero n a Freudian's couch
by Ernest Kearney — Playwright Henry David Hwang has joined the ranks of an exclusive group. James Thurber the humorist best known for The Secret Life of Walter Mitty, was six when he was shot in the left eye by a playmate’s arrow. He would go
By Ernest Kearney — In my opinion, Long Beach’s International City Theatre artistic director, caryn desai has a genius for selecting and staging plays that are fail-safe, in so far as proving fully satisfying experiences for
