By Ernest Kearney — The first date that manages to spiral down from the awkwardness of the initial meeting into the flaming bowels of hell is not exactly a fresh concept. But when you have a cast of highly talented actors and a script where
By Ernest Kearney — The first superstar of ballet was Vaslav Nijinsky (1890-1950). The remarkable fusion of strength and grace he possessed would lead to his being declared “the god of dance” by his admirers.
By Ernest Kearney — "The Ramón Show" is a public health service message masquerading as a Fringe show
By Ernest Kearney — In "The Sentence," Co-Writers/Co-Directors-Producers Ainsley Ferrell and Hannah Moore have attempted to present a layered murder mystery
By Ernest Kearney — This Hollywood Fringe (HFF23) has not had a sweeter show, and the ingredients that went into making a success of "Cross My Heart" are few but well-selected.
By Ernest Kearney — We have seen these types of shows, wherein one character is contemplating suicide; “Every Brilliant Thing,” “Suicide, Incorporated,” “'Night, Mother” and others
By Ernest Kearney — You could say Brendan Hunt’s tale of leaving Chicago is, very, similar to the adventures of Dorothy in "The Marvelous Land of Oz."
By Ernest Kearney — Lady Penelope (Writer/Performer Penny Peyser) prances out on stage in her Elizabethan gown and red Kid sneakers. Apparently, during our long national quarantine, she was perfectly snug with her cat, composing sonnets while in blissful solitude. Lady Penelope abhors modern free verse,
By Ernest Kearney — "Wounded" is an engine firing on all cylinders with a strong script by Jiggs Burgess, under the deft direction of Spencer Frankeberger.
By Ernest Kearney — Take one-part Discovery Channel, one-part Hair, two-part Monty Python, mix well and you have "Bugs!" (HFF23)
