By Ernest Kearney — In Judaism shame is at the forefront of it all. As related in Genesis, after their eating of the forbidden fruit, Adam and Eve’s first expression of their new state was in hiding from God.
By Ernest Kearney — Ideas are swarming in Josiah Blount’s flamboyant one-man theomachy ''Flayed, '' and we’re talking a swarm of the Biblical variety
By Ernest Kearney — Madeleine Lemay has created a silly short songfest about the doomed romance between the Titanic and the iceberg
By Ernest Kearney In “Unwrapped: Life After Giftedness,” Kira Wallace has done some excellent writing, filling her solo-show script with clever and exceedingly poignant lines.
By Ernest Kearney — A young girl who loves camp is at the core of the story in "Keeper," and her tale is one that radiates with sincerity and love.
By Ernest Kearney — Nick Pupo’s HFF23 production of his show "Addicted," did everything an audience wants a show to do.
By Ernest Kearney — “Rhythm Delivered” features DrumatiX, a gaggle of tap-dancing percussionist clowning mimes unleashed on the Fringe by Choreographer Noa Barankin…
By Ernest Kearney — I sat through one presentation of the musical “So Proudly We Hailed,” then immediately sat through a second presentation with a different cast.
By Ernest Kearney — In “Sherlock Holmes: The Last Act,” Nigel Miles-Thomas excels as the legendary detective from a script by David Stuart Davies, a connoisseur of all things 221B Baker Street.
By Ernest Kearney — Part of the reason that show, "Shagadelic" works so well is that Writer/Performer Michael Blaha could easily be a tenured academic of any Ivy League University.
