"Stringmates" by Amanda Noriko Newman takes its core concept from the Asian legend of the “Red String of Fate,” the belief that the gods bind two individuals who are destined to be together with an unbreakable red string that connects them no matter what distance
Well, I suspected I was going to like "Finally, Some Privacy" Aimee Levey’s one woman show, for Fringe 2017, when I heard the singing of Jack Lukeman being used as pre-show music.
Director, Christopher Johnson is too clever by half, which is clearly demonstrated in his current Fringe offering: a raucous, genderbending, madcap rendering of Christopher Marlowe’s, "The Faggot King or The Troublesome Reign and Lamentable Death of Edward the Second."
The Puckwit Gang’s "Chimpskin" is a stylishly clever history of Lucy (1964-1987), the chimpanzee raised by Maurice and Jane Temerlin, as a human child. Lucy was even taught American Sign Language in order to communicate with her human “parents” and would come to use
"How to Love Your Dictator: Olga & Ludmila’s Guide to Fascism" is an American broadcast of the popular Russian talk show (with Kate Rappoport and Andra Moldav as the hostess-chets).
A man brings his guitar and a cooler out to the beach, and as he faces the setting sun tries to decide whether he can make peace with the ghost of his abusive mother or if his memories of her need to sink beneath the
In "Andy: The Red-Nosed Warhola," director/adapter Ezra Buzzington has crafted a swift, stylish and oh so entertaining rendering of the iconic persona of Andy Warhol. (Hollywood Fringe 2017)
"The Tomb" by Ed Sharrow (at the Complex Theatre during Fringe 2017) is an encapsulated tale of Anthony the Great, also called Anthony of Egypt, who was a 4th century Christian mystic.
Panos Vlahos, making his U.S. debut at Hollywood Fringe (2017) in “Mistero Buffo,” combed three pieces from the last half of author Dario Fo’s work in order to fashion his show and, in doing so, has chosen the most scandalous of the text.
In the hands of the right actors "The Complete Works of William Shakespeare," by playwrights Adam Long, Daniel Singer and Jess Winfield, is a juggernaut of mirth and mayhem. In this instance, the “right actors” would be: Paul Green, Jordan Merimee and Dorian Tayler.
