(Now please, if you can’t make it through this rather long winded harangue of homage, simply scroll to the end and check out the coming events at The Velaslavasay Panorama.) I love L.A. Most folks who come here don’t really get it. They find themselves confused and
I love speaking to a kindred soul whose passions are rooted in another field different from mine. It always fascinates me to hear them tell of their pursuit of artistic achievement using a vocabulary so utterly dissimilar from my own while yet describing essentially the
There are a number of events and venues here in L.A. which I maintain are under appreciated. I’m talking about places and performances unique to this city which I’m convinced the fine folks living here would relish the experience of – if they’d just get
There is a great deal about Swarm Cell which is commendable
John Farmanesh-Bocca has in the past impressed me. Now he’s pissed me off. Though, I am still impressed. A number of years back Farmanesh-Bocca first entered my consciousness with his staging of Ellen McLaughlin’s Ajax in Iraq at the Miles Playhouse in Santa Monica by his Not Man
I initially reviewed John Posey’s one man show, Father, Son & Holy Coach when it played at the Whitefire Theatre last year. I thought it would be interesting to have a second opportunity to consider the show again and see if time might have shifted my
Placas: The Most Dangerous Tattoo has only a week left on its limited run at Casa 0101 in Boyle Heights, which is a pity. It is a rough, poetical work about the plights of Salvadoran immigrants, driven from their homeland by the unending cycle of violence
The bed is our most formidable arena. And two people in bed alone are never really by themselves. Bed by Sheila Callaghan, is a slight piece of sexual fluff which nevertheless conveys an intoxicating freshness in both writing and acting that lifts it above expectations to win
Katori Hall’s The Mountaintop won the 2010 British Olivier Award for Best New Play. In 2011 it opened in New York with Samuel L. Jackson and Angela Bassett. And on February 6, 2016 it opened at the Matrix Theatre Company and at the closing of that first
Stephen Sachs is an intellectual juggernaut of a playwright who plumbs premises for his pieces from the pages of the Los Angeles Times and other news sources, populates them with well developed and finely crafted characters, then provides them with dialogue both sparkling and believable. He
